Literary Criticism from the Elizabethan Dramatists: Repertory and SynthesisSturgis & Walton Company, 1910 - 257 |
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Strona xi
... fact is , however , that in mental opera- tions analysis and synthesis presuppose each other ; analysis , indeed , presupposing synthesis to a much greater extent than is the case in the reverse relation . Mere tearing apart is not ...
... fact is , however , that in mental opera- tions analysis and synthesis presuppose each other ; analysis , indeed , presupposing synthesis to a much greater extent than is the case in the reverse relation . Mere tearing apart is not ...
Strona xii
... utterances of Elizabethan dramatists which constitute their published reflections on their own art . Owing to the prevalence of the view largely substantiated by facts — that the Elizabethan literature xii PRELIMINARY REMARKS.
... utterances of Elizabethan dramatists which constitute their published reflections on their own art . Owing to the prevalence of the view largely substantiated by facts — that the Elizabethan literature xii PRELIMINARY REMARKS.
Strona xiii
Repertory and Synthesis David Klein. view largely substantiated by facts — that the Elizabethan literature was a spontaneous over- flowing , the field of the present research has been neglected . Professor Spingarn hardly touches it in ...
Repertory and Synthesis David Klein. view largely substantiated by facts — that the Elizabethan literature was a spontaneous over- flowing , the field of the present research has been neglected . Professor Spingarn hardly touches it in ...
Strona xvi
... Facts Modified by Poet B. Species • C. Mixture of Tragic With Comic D. The Theme E. Originality F. G. Construction Melodrama H. Unities • • • I. Prolog , Epilog , Etc. J. Conventions LITERARY QUALITIES ACTING CONCLUDING REMARKS ...
... Facts Modified by Poet B. Species • C. Mixture of Tragic With Comic D. The Theme E. Originality F. G. Construction Melodrama H. Unities • • • I. Prolog , Epilog , Etc. J. Conventions LITERARY QUALITIES ACTING CONCLUDING REMARKS ...
Strona 14
... fact is more convincing of Ascham's faith than a hostile attitude would be . But how far such ideas were ahead of the time is indicated by the only other piece of evidence on this topic to be cited within the limits of the present ...
... fact is more convincing of Ascham's faith than a hostile attitude would be . But how far such ideas were ahead of the time is indicated by the only other piece of evidence on this topic to be cited within the limits of the present ...
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action actors ancient Aristotle attitude audience Beaumont and Fletcher Ben Jonson Bussy D'Ambois Cæsar Chapman chorus classical comedy comic Cordatus criticism Cynth Damon and Pythias Damplay Dedication Dekker delight didactic Disc doth Doubtful Heir dramatists Elizabethan dramatists Epil epilog expressed function hath Heywood Humor Ibid idea imagination Induction interlude after Act Jonson judgment Julius Cæsar labor laws learned literary Love's Labor's Lost Magnetic Lady Maid's Tragedy Marston Massinger matter ment Middleton mind mirth Mitis nature never opinion passage persons play playwrights pleasure plot poem poesy poet poetic poetry popular practise present Prol prolog question quotation quoted reader ridiculous rime romantic satire scene Sejanus Shakspere Shakspere's Shirley speak Spingarn spirit stage theater theme theory things Thomas Heywood thou thought tion to-day topic tragedy true truth unity utterances verse virtue write
Popularne fragmenty
Strona 44 - The lunatic, the lover, and the poet Are of Imagination all compact. One sees more devils than vast hell can hold; That is, the madman. The lover, all as frantic, Sees Helen's beauty in a brow of Egypt. The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as Imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name.
Strona 61 - ... twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve ; the censure of the which one must in your allowance o'erweigh a whole theatre of others.
Strona 43 - You are rapt, sir, in some work, some dedication To the great lord. Poet. A thing slipp'd idly from me. Our poesy is as a gum, which oozes • From whence 'tis nourished : The fire i...
Strona 99 - That the argument of his comedy might have been of some other nature, as of a duke to be in love with a countess, and that countess to be in love with the duke's son, and the son to love the lady's waitingmaid ; some such cross wooing, with a clown to their servingman, better than to be thus near, and familiarly allied to the time.
Strona 98 - But deeds and language such as men do use, And persons such as Comedy would choose, When she would show an image of the times. And sport with human follies, not with crimes; Except we make 'em such, by loving still Our popular errors, when we know they're ill.
Strona 100 - ... to imitate justice, and instruct to life, as well as purity of language, or stir up gentle affections; to which I shall take the occasion elsewhere to speak.
Strona 97 - I shall raise the despised head of poetry again, and stripping her out of those rotten and base rags wherewith the times have adulterated her form, restore her to her primitive habit, feature, and majesty, and render her worthy to be embraced and kist of all the great and master-spirits of our world.
Strona 49 - The crow doth sing as sweetly as the lark, When neither is attended ; and I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
Strona 47 - On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt?
Strona 121 - He that will swear, Jeronimo, or Andronicus, are the best plays yet? shall pass unexcepted at here, as a man whose judgment shews it is constant, and hath stood still these five and twenty or thirty years.