Medieval English PoetryStephanie Trigg Longman, 1993 - 299 The essays in this volume consider a range of poetic texts written in England between the twelfth and fifteenth centuries, with the exception of works by Chaucer, and represent some of the exciting new developments in medieval studies over the last twenty years. The collection explores and interrogates the established canon of Middle English poetry and includes several studies of two major poems, Sir Gawain and the Green Knight and Piers Plowman, and essays on some less well-known works, including Havelok the Dane, The Owl and the Nightingale and The Flower and the Leaf. In a field that has been dominated by historical scholarship and conservative new criticism, Medieval English Poetry brings together some of the most controversial work currently being done in Middle English studies; this collection reveals the strength and depth of this research in feminist, Marxist, historicist, reader-response and deconstructionist method. It includes contributions from David Aers, Sheila Delany, Anne Middleton, and Lee Patterson. Stephanie Trigg's illuminating introduction examines some of the patterns that have emerged in the criticism of medieval literature this century, and pays particular attention to our constructions and definitions of the 'medieval'. The range of material covered, together with the detailed headnotes to each of the thirteen essays and the guide to further reading, make this book essential reading for all undergraduate and postgraduate students of Medieval English Literature. |
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Strona 35
... earlier political poems , which tend to be occasional or topical . In an otherwise fairly undistinguished poem from Digby MS 102 - which also contains a copy of Piers Plowman on ' What Profits a Kingdom ' ( dated by Robbins 1401 ) , the ...
... earlier political poems , which tend to be occasional or topical . In an otherwise fairly undistinguished poem from Digby MS 102 - which also contains a copy of Piers Plowman on ' What Profits a Kingdom ' ( dated by Robbins 1401 ) , the ...
Strona 82
... earlier discussions of this and n . 12 above . On Trajan , see J.S. WITTIG's comments in Traditio , 28 ( 1972 ) : 249–63 . 53. For a good summary of readings emerging from such approaches , and references , see SCHMIDT , Piers Plowman ...
... earlier discussions of this and n . 12 above . On Trajan , see J.S. WITTIG's comments in Traditio , 28 ( 1972 ) : 249–63 . 53. For a good summary of readings emerging from such approaches , and references , see SCHMIDT , Piers Plowman ...
Strona 83
... earlier in the poem , but his proneness to error is clear enough in the apocalyptic vision ( discussed earlier , and at greater length in ch . 3 ) and in Passus XIII ( see n . 55 ) ; in Passus XX the physical terrors he invokes seem ...
... earlier in the poem , but his proneness to error is clear enough in the apocalyptic vision ( discussed earlier , and at greater length in ch . 3 ) and in Passus XIII ( see n . 55 ) ; in Passus XX the physical terrors he invokes seem ...
Spis treści
Defining the medieval and the medievalist | 8 |
Contemporary criticism | 15 |
Richard II | 24 |
Prawa autorskie | |
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AERS allegory Alliterative Morte Arthure argues Arthurian authority authorship ballad becomes Canterbury Tales century Chaucer Christian commentary common Confessio Amantis contemporary context criticism cultural debate discussion divine dream economic Elf-Knight episode essay ethical example female feminist fiction Fierabras genre Geoffrey girdle Green Knight Guenevere Havelok historical human ideology Incarnation interpretation Jill Mann John Gower king kynde labour Lady Langland language Latin LIEK lines literary London manuscript meaning Mede medieval literature Medieval Poetry medieval studies merchants Middle Ages Middle English modern moral Morgan narrative narrator narrator's Nightingale Oxford Passus peasant pentangle Piers Plowman Piers's poem poem's poet poet's poetic poetry political present Prologue prys question reader reading represent rhetorical romance satire seems sense sexual significance Sir Gawain social structure suggests textual theory traditional truth University Press vision voice Waster Wastoure Winner and Waster woman women words writing Wynnere þat þis