Primary Documents: A Sourcebook for Eastern and Central European Art Since the 1950sLaura J. Hoptman, Tomáš Pospiszyl The Museum of Modern Art, 2002 - 375 A sourcebook of primary documents on Eastern and Central European art from the second half of the twentieth century. Although a number of books have told the story of modern and contemporary art in Eastern and Central Europe, missing from these accounts have been the sources themselves. This book, the result of years of research by an international team of artists, curators, editors, translators, and scholars working with the Museum of Modern Art, presents primary documents drawn from the artistic archives of Eastern and Central Europe during the second half of the twentieth century. Because the practice of criticism in this region was for many years almost completely suppressed, the writings of the artists themselves often fulfill a critical as well as an aesthetic and ideological function. The manifestoes, photo essays, proposals, scripts, and other writings assembled here comprise the first anthology of this material in any language. The source materials presented--almost all of them previously untranslated into English--are from Bulgaria, Croatia, Czech Republic, Estonia, Hungary, Latvia, Macedonia, Poland, Romania, Russia, Serbia, Slovakia, and Slovenia. The book is introduced by Ilya Kabakov. Each chapter is preceded by a brief introduction and is followed by a case study that chronicles an event or the creation or reception of an artwork, illustrating the issues raised in that chapter. |
Spis treści
Foreword Ilya Kabakov | 7 |
Introduction Laura Hoptman and Tomáš Pospiszyl | 9 |
An Essay on Island Mythology Yuri Sobolev | 15 |
4 | 28 |
The Intellectual under Socialism Jindřich Chalupecký | 29 |
Soviet Artists of the 1960s Andrei Erofeev | 37 |
The Artistic Experiment as an Exercise and Neurotic Sublimation Coriolan Babeti | 53 |
A Report on the Third Czech Musical Revival Ivan Martin Jirous | 56 |
THE LIFE AND DEATH OF A HORSE 242 Carrying Buckets Trotting Like Pigs Artur Żmijewski interviews Katarzyna Kozyra | 242 |
Letters and Articles | 250 |
Onward Toward the RetroAvantgarde | 257 |
The Barren Flowers of Evil Komar and Melamid | 258 |
Chronicle of the Events Wojciech Marchlewski | 271 |
The Action is on for the time being Untitled Celebration Călin Dan Nedko Solakov | 277 |
Why are Laibach and NSK not Fascists? Slavoj Žižek | 285 |
More Total than Totalitarianism Boris Groys | 288 |
REPRESSION | 65 |
Pioneers and Their Manifestos | 79 |
Manifestos Dimitrije Bašičević Mangelos | 80 |
MANIFEST HAPPSOC Stano Filko Zita Kostrová and Alex Mlynárčik | 85 |
An Introduction to a General Theory of Place Wiesław Borowski Hanna Ptaszkowska and Mariusz Tchorek | 88 |
OHO Manifesto Marko Pogačnik and I G Plamen | 92 |
A History of Chance Art as an Empty Sign Theses for the Marly Conference of 1980 Miklós Erdély | 95 |
12Before the End of the Twentieth Century Tadeusz Kantor | 102 |
ARTISTS INTERVENE IN EVERYDAY LIFE 120 An Event for the Post Office the Police and the Occupants of No 26 Václavkova Street Prague 6 ... | 120 |
3 | 122 |
Conceptual Art and Times of Transition | 123 |
Art as a Way of Existence Nena Dimitrijević | 124 |
The Ethics of Form or Aesthetics of Logic Braco Dimitrijević | 140 |
Krzysztof Wodiczko and Polish Art of the 1970s Andrzej Turowski | 154 |
Moscow Romantic Conceptualism Boris Groys | 162 |
Seven Photographs Andrei Monastyrski | 174 |
The Readymade and the Question of the Fabrication of Objects and Subjects Suzana Milevska | 182 |
WEEKEND ART 192 Weekend Art Hallelujah the Hill Aleksandar Battista Ilić in collaboration with Ivana Keser and Tomislav Gotovac | 192 |
Body Unbound | 197 |
One Sunday Alina Szapocznikow | 198 |
SleepAwakeningThe Game Geta Bratescu | 199 |
Documents for Autobiography 195975 Sanja Iveković | 203 |
National Identity vs Identity Politics Piotr Piotrowski | 226 |
Where the Heck Am I? Where Are My Things? Vladislav Mamyshev MonroeHitler | 234 |
NEUE SLOWENISCHE KUNST Laibach | 292 |
Scipion Nasice Sisters Theater | 297 |
IRWIN | 299 |
NSK State in Time Eda Čufer and IRWIN | 301 |
6 | 302 |
Between Freedom | 303 |
and Nationalism 304 The Balkanization of Alpa Europaea Luchezar Boyadjiev | 304 |
A 1992 Guide for the Creation of Works of Art with Nature Themes Imre Bukta | 311 |
Selections from Mail Radek Anatoly Osmolovsky | 318 |
Balkan for Beginners Bojana Pejić | 325 |
The Revenge of the Background Ekaterina Degot | 340 |
EAST AGAINST WEST | 344 |
An Open Letter to the Art World Various Authors | 345 |
Response to an Open Letter to the Art World Viktor Misiano | 347 |
Why Have I Bitten a Man? Oleg Kulik | 349 |
The Cultural War Wenda | 351 |
Dialogue Igor Zabel | 354 |
Acknowledgments | 362 |
Editors and Consultants | 364 |
| 366 | |
Credits | 371 |
| 372 | |
| 375 | |

