The Persistence of Hollywood

Przednia okładka
Routledge, 22 maj 2012 - 408

While Hollywood’s success – its persistence – has remained constant for almost one hundred years, the study of its success has undergone significant expansion and transformation. Since the 1960s, Thomas Elsaesser’s research has spearheaded the study of Hollywood, beginning with his classic essays on auteurism and cinephilia, focused around a director’s themes and style, up to his analysis of the "corporate authorship" of contemporary director James Cameron. In between, he has helped to transform film studies by incorporating questions of narrative, genre, desire, ideology and, more recently, Hollywood’s economic-technological infrastructure and its place within global capitalism.

The Persistence of Hollywood brings together Elsaesser’s key writings about Hollywood filmmaking. It includes his detailed studies of individual directors (including Minnelli, Fuller, Ray, Hitchcock, Lang, Altman, Kubrick, Coppola, and Cameron), as well as essays charting the shifts from classic to corporate Hollywood by way of the New Hollywood and the resurgence of the blockbuster. The book also presents a history of the different critical-theoretical paradigms central to film studies in its analysis of Hollywood, from auteurism and cinephilia to textual analysis, Marxism, psychoanalysis, and post-industrial analysis.

 

Spis treści

Acknowledgments and Places of Previous Publication
Cinephilia Screen Theory and Cultural Studies
Vincente Minnelli
The Heroes of Nicholas
The Hero as His Own Best Enemy
Or the Uses of Disenchantment
The Continuity Principle
Why Hollywood?
Putting on the Show
The Author as WorldMaker
The Return of the System as Auteur?
Notes on the Unmotivated Hero
Auteur Cinema and the New Economy Hollywood
Francis Ford Coppola and Bram Stokers Dracula
The Blockbuster as Time Machine
Signature Products ConceptAuthors and Access for All Avatar

The MiseenScène of
Or How to Step Through an Open Door
Masculinity and Marginality in The Public
William Dieterle and the Warner Bros
Citizen Kane as CharacterMask
The Dandy in Hitchcock
Alfred Hitchcock and Fritz Lang
The Persistence of Hollywood
Between Truth Belief and Trust
Reflexivity Feedback and Self Regulation
Endnotes
Index
Prawa autorskie

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Informacje o autorze (2012)

Thomas Elsaesser is Professor Emeritus of Film and Television Studies at the University of Amsterdam and, since 2006, Visiting Professor at Yale University. Among his recent books as author are: Weimar Cinema and After (Routledge, 2000); Metropolis (BFI, 2000); Studying Contemporary American Film (Hodder, 2002, with Warren Buckland); European Cinema: Face to Face with Hollywood (Amsterdam University Press, 2005); Film Theory: An Introduction Through the Senses (Routledge, 2010, with Malte Hagener).

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