Made in Italy: Studies in Popular MusicFranco Fabbri, Goffredo Plastino Routledge, 30 paź 2013 - 272 Made in Italy serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Italian popular music. Each essay, written by a leading scholar of Italian music, covers the major figures, styles, and social contexts of pop music in Italy and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Italian popular music. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Themes; Singer-Songwriters; and Stories. |
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... social contexts of pop music in Italy. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Italian popular music. The book first presents a general ...
... social contexts of pop music in Italy. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Italian popular music. The book first presents a general ...
Strona
... social, and political values Italian audiences have attached to it. The goal of this book is therefore more ambitious than simply to provide a perspective on the popular music of a more or less “remote” country: it offers examples of ...
... social, and political values Italian audiences have attached to it. The goal of this book is therefore more ambitious than simply to provide a perspective on the popular music of a more or less “remote” country: it offers examples of ...
Strona
... social and even behavioral differences; we mention it here simply to show how entrenched the Adlerian–Adornian mindset still is in Italy. Nevertheless, it must be noted that there has also been a shift in Italian musicology in general ...
... social and even behavioral differences; we mention it here simply to show how entrenched the Adlerian–Adornian mindset still is in Italy. Nevertheless, it must be noted that there has also been a shift in Italian musicology in general ...
Strona
... social Darwinists, we don't assume that just for that reason the chapters that follow are any better than others. But we believe that they will be fascinating and rich in suggestions for anyone interested in popular music. Notes. 1 ...
... social Darwinists, we don't assume that just for that reason the chapters that follow are any better than others. But we believe that they will be fascinating and rich in suggestions for anyone interested in popular music. Notes. 1 ...
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... of Italian as the largely shared and accepted national language remains nonetheless an indisputable achievement. The use of this language at every level and in every context of social life (with the possible exclusion of the.
... of Italian as the largely shared and accepted national language remains nonetheless an indisputable achievement. The use of this language at every level and in every context of social life (with the possible exclusion of the.
Spis treści
Sanremo Effects The Festival and the Italian Canzone 1950s1960s | |
SingerSongwriters | |
A Semiotic Approach to Luigi Tencos Songs | |
Saved Souls Locating Style in Fabrizio De Andrés and Ivano Fossatis | |
Mystical Arrogance Franco Battiatos Esoteric | |
The Everlasting Appeal of Mina and Celentano | |
1970s Italian Progressive Rock in the | |
A Rocker from Emilia behind the Film Camera | |
Coda | |
Afterword | |
A Selected Bibliography on Italian Popular Music | |
Index | |
Stories | |
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33⅓ rpm Accessed Adriano Celentano album artists audience Banco bands Battiato beat bitt Bruno Cantacronache cantautori Canto canzone d’autore canzone italiana canzone napoletana Celentano Ciao cinema composer concept cover cultural edited English Equipe 84 Esposito ethnomusicology Fabrizio De André Felona film Fossati Francesco Freccia genre Gino Paoli Goffredo guitar IASPM instrumental Italian music Italian pop Italian popular music Italo disco Italy jazz Ligabue listeners Lucio Battisti Luigi Luigi Tenco lyricist melodic Milan Modugno Mogol Morricone Musical Example musicians musicology Naples Power Napoli Napoli Centrale Neapolitan Song neomelodici Numero Nuova opera Paolo percent performed Plastino political popular music studies production progressive rock radio Radiofreccia Rascel Record sleeve released repertoire rhythm rhythmic Ricordi SRL riff Roberto Rome Sanremo Festival scene singer-songwriters singers singing social songwriters Sorona sound Storia Straniero style sung Tenco Toni Toni Esposito tradition Turin Umberto vocal voice