Made in Italy: Studies in Popular MusicFranco Fabbri, Goffredo Plastino Routledge, 30 paź 2013 - 272 Made in Italy serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Italian popular music. Each essay, written by a leading scholar of Italian music, covers the major figures, styles, and social contexts of pop music in Italy and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Italian popular music. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Themes; Singer-Songwriters; and Stories. |
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Strona
... performed by Renato Rascel 2.2 Melody of the first eight bars of “Romantica” first chorus, as performed by Tony Dallara 8.1 Guitar throughout the whole “La canzone del sole” 8.2 “Emozioni”—Harmony (1) 8.3 “Emozioni”—Harmony (2) 8.4 The ...
... performed by Renato Rascel 2.2 Melody of the first eight bars of “Romantica” first chorus, as performed by Tony Dallara 8.1 Guitar throughout the whole “La canzone del sole” 8.2 “Emozioni”—Harmony (1) 8.3 “Emozioni”—Harmony (2) 8.4 The ...
Strona
... performed by Renato Rascel 2.2 “Romantica” as performed by Tony Dallara 3.1 Italian chart entries for UK/US bands, 1960–1965 3.2 Regional distribution of Italian bitt bands, 1963–1969 3.3 Italian chart entries for bitt bands' singles ...
... performed by Renato Rascel 2.2 “Romantica” as performed by Tony Dallara 3.1 Italian chart entries for UK/US bands, 1960–1965 3.2 Regional distribution of Italian bitt bands, 1963–1969 3.3 Italian chart entries for bitt bands' singles ...
Strona
... perform there. During the taxi ride to the hotel, he wanted to listen to the songs of a Neapolitan pop singer, being played on the car cassette player. “Who's that?” he asked. “Nino D'Angelo,” the taxi driver replied. “I wanna buy his ...
... perform there. During the taxi ride to the hotel, he wanted to listen to the songs of a Neapolitan pop singer, being played on the car cassette player. “Who's that?” he asked. “Nino D'Angelo,” the taxi driver replied. “I wanna buy his ...
Strona
... Performing Arts of the University of Bologna, organized a round table on Musicologia storica e musica di consumo (Historical musicology and [mass] consumption music) (Tavola rotonda 2003). The workshop was introduced with a keynote by ...
... Performing Arts of the University of Bologna, organized a round table on Musicologia storica e musica di consumo (Historical musicology and [mass] consumption music) (Tavola rotonda 2003). The workshop was introduced with a keynote by ...
Strona
... (performing rights, and the discipline of media monopolies), and industrial practices. This is not to say that what has become a kind of common practice in international popular music studies, which are based on sociology, cultural and ...
... (performing rights, and the discipline of media monopolies), and industrial practices. This is not to say that what has become a kind of common practice in international popular music studies, which are based on sociology, cultural and ...
Spis treści
Sanremo Effects The Festival and the Italian Canzone 1950s1960s | |
SingerSongwriters | |
A Semiotic Approach to Luigi Tencos Songs | |
Saved Souls Locating Style in Fabrizio De Andrés and Ivano Fossatis | |
Mystical Arrogance Franco Battiatos Esoteric | |
The Everlasting Appeal of Mina and Celentano | |
1970s Italian Progressive Rock in the | |
A Rocker from Emilia behind the Film Camera | |
Coda | |
Afterword | |
A Selected Bibliography on Italian Popular Music | |
Index | |
Stories | |
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33⅓ rpm Accessed Adriano Celentano album artists audience Banco bands Battiato beat bitt Bruno Cantacronache cantautori Canto canzone d’autore canzone italiana canzone napoletana Celentano Ciao cinema composer concept cover cultural edited English Equipe 84 Esposito ethnomusicology Fabrizio De André Felona film Fossati Francesco Freccia genre Gino Paoli Goffredo guitar IASPM instrumental Italian music Italian pop Italian popular music Italo disco Italy jazz Ligabue listeners Lucio Battisti Luigi Luigi Tenco lyricist melodic Milan Modugno Mogol Morricone Musical Example musicians musicology Naples Power Napoli Napoli Centrale Neapolitan Song neomelodici Numero Nuova opera Paolo percent performed Plastino political popular music studies production progressive rock radio Radiofreccia Rascel Record sleeve released repertoire rhythm rhythmic Ricordi SRL riff Roberto Rome Sanremo Festival scene singer-songwriters singers singing social songwriters Sorona sound Storia Straniero style sung Tenco Toni Toni Esposito tradition Turin Umberto vocal voice