Made in Italy: Studies in Popular MusicFranco Fabbri, Goffredo Plastino Routledge, 30 paź 2013 - 272 Made in Italy serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Italian popular music. Each essay, written by a leading scholar of Italian music, covers the major figures, styles, and social contexts of pop music in Italy and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Italian popular music. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Themes; Singer-Songwriters; and Stories. |
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Strona
... University in the UK. He has co-edited multiple volumes on popular music and has published in several languages on folk music, jazz, and organology. Routledge Global Popular Music Series Series Editors: Franco Fabbri, University.
... University in the UK. He has co-edited multiple volumes on popular music and has published in several languages on folk music, jazz, and organology. Routledge Global Popular Music Series Series Editors: Franco Fabbri, University.
Strona
... jazz musicians ever, and that he also declared to the press: “I like Nino D'Angelo, and I'd like to play his music.” Miles was neither the first nor the last to be bewitched by a Neapolitan voice; stories like these have been told ...
... jazz musicians ever, and that he also declared to the press: “I like Nino D'Angelo, and I'd like to play his music.” Miles was neither the first nor the last to be bewitched by a Neapolitan voice; stories like these have been told ...
Strona
... jazz, blues, r&b, reggae, rap, as well as any danceable music of Latin American origin, from rumba and mambo to salsa, merengue, reggaeton, etc.) represent opposing poles still has currency in Italian music business and journalism. If ...
... jazz, blues, r&b, reggae, rap, as well as any danceable music of Latin American origin, from rumba and mambo to salsa, merengue, reggaeton, etc.) represent opposing poles still has currency in Italian music business and journalism. If ...
Strona
... jazz, which had come to be respectable much earlier); a few years ago, courses were opened on musica d'uso (applied music), a fig leaf to cover the actual content (popular music). Finally, a number of conservatories launched BA and MA ...
... jazz, which had come to be respectable much earlier); a few years ago, courses were opened on musica d'uso (applied music), a fig leaf to cover the actual content (popular music). Finally, a number of conservatories launched BA and MA ...
Strona
... jazz and art music: this is particularly evident in live performances, where these audiences do not assume an attitude of contemplation but rather of active and even physical participation. (Somigli 2003, 321–322) Many readers will ...
... jazz and art music: this is particularly evident in live performances, where these audiences do not assume an attitude of contemplation but rather of active and even physical participation. (Somigli 2003, 321–322) Many readers will ...
Spis treści
Sanremo Effects The Festival and the Italian Canzone 1950s1960s | |
SingerSongwriters | |
A Semiotic Approach to Luigi Tencos Songs | |
Saved Souls Locating Style in Fabrizio De Andrés and Ivano Fossatis | |
Mystical Arrogance Franco Battiatos Esoteric | |
The Everlasting Appeal of Mina and Celentano | |
1970s Italian Progressive Rock in the | |
A Rocker from Emilia behind the Film Camera | |
Coda | |
Afterword | |
A Selected Bibliography on Italian Popular Music | |
Index | |
Stories | |
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33⅓ rpm Accessed Adriano Celentano album artists audience Banco bands Battiato beat bitt Bruno Cantacronache cantautori Canto canzone d’autore canzone italiana canzone napoletana Celentano Ciao cinema composer concept cover cultural edited English Equipe 84 Esposito ethnomusicology Fabrizio De André Felona film Fossati Francesco Freccia genre Gino Paoli Goffredo guitar IASPM instrumental Italian music Italian pop Italian popular music Italo disco Italy jazz Ligabue listeners Lucio Battisti Luigi Luigi Tenco lyricist melodic Milan Modugno Mogol Morricone Musical Example musicians musicology Naples Power Napoli Napoli Centrale Neapolitan Song neomelodici Numero Nuova opera Paolo percent performed Plastino political popular music studies production progressive rock radio Radiofreccia Rascel Record sleeve released repertoire rhythm rhythmic Ricordi SRL riff Roberto Rome Sanremo Festival scene singer-songwriters singers singing social songwriters Sorona sound Storia Straniero style sung Tenco Toni Toni Esposito tradition Turin Umberto vocal voice