Made in Italy: Studies in Popular MusicFranco Fabbri, Goffredo Plastino Routledge, 30 paź 2013 - 272 Made in Italy serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Italian popular music. Each essay, written by a leading scholar of Italian music, covers the major figures, styles, and social contexts of pop music in Italy and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Italian popular music. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Themes; Singer-Songwriters; and Stories. |
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Strona
... Thanks also to Alessandro Lannocca, who transcribed our long conversation with Ennio Morricone. Franco Fabbri and Goffredo Plastino Milan and Newcastle upon Tyne, February 2013 Introduction An Egg of Columbus: How Can Italian Popular Music.
... Thanks also to Alessandro Lannocca, who transcribed our long conversation with Ennio Morricone. Franco Fabbri and Goffredo Plastino Milan and Newcastle upon Tyne, February 2013 Introduction An Egg of Columbus: How Can Italian Popular Music.
Strona
... Milan and Reggio Emilia. Genres were grouped into superordinate categories: musica leggera, rock and black music, jazz, ethnic music, musica colta (“cultured” music). Both the list and its internal groupings were devised to reflect ...
... Milan and Reggio Emilia. Genres were grouped into superordinate categories: musica leggera, rock and black music, jazz, ethnic music, musica colta (“cultured” music). Both the list and its internal groupings were devised to reflect ...
Strona
... Milan (II=43.1) in the early 1980s, thanks to a budding local scene (with Italian performers), and that liscio (ballroom dances) was declining after its boom in the late 1970s (and the II was anyway 60.9 in Reggio Emilia, at the center ...
... Milan (II=43.1) in the early 1980s, thanks to a budding local scene (with Italian performers), and that liscio (ballroom dances) was declining after its boom in the late 1970s (and the II was anyway 60.9 in Reggio Emilia, at the center ...
Strona
... Milan: Unicopli. Ala, Nemesio, Fabbri, Franco, Fiori, Umberto, and EmilioGhezzi. 1985b. “Patterns of music consumption in Milan and Reggio Emilia from April to May 1983.” In Popular Music Perspectives 2, edited by DavidHorn, 464–500 ...
... Milan: Unicopli. Ala, Nemesio, Fabbri, Franco, Fiori, Umberto, and EmilioGhezzi. 1985b. “Patterns of music consumption in Milan and Reggio Emilia from April to May 1983.” In Popular Music Perspectives 2, edited by DavidHorn, 464–500 ...
Strona
... Milan: Giunti Ricordi. LombardiSatriani, Luigi M. 1975. “Folk-music revival e profitto.” In L'etnomusicologia in Italia, edited by DiegoCarpitella, 121–140. Palermo: Flaccovio. Middleton, Richard. 1994. Studiare la popular music. Milan ...
... Milan: Giunti Ricordi. LombardiSatriani, Luigi M. 1975. “Folk-music revival e profitto.” In L'etnomusicologia in Italia, edited by DiegoCarpitella, 121–140. Palermo: Flaccovio. Middleton, Richard. 1994. Studiare la popular music. Milan ...
Spis treści
Sanremo Effects The Festival and the Italian Canzone 1950s1960s | |
SingerSongwriters | |
A Semiotic Approach to Luigi Tencos Songs | |
Saved Souls Locating Style in Fabrizio De Andrés and Ivano Fossatis | |
Mystical Arrogance Franco Battiatos Esoteric | |
The Everlasting Appeal of Mina and Celentano | |
1970s Italian Progressive Rock in the | |
A Rocker from Emilia behind the Film Camera | |
Coda | |
Afterword | |
A Selected Bibliography on Italian Popular Music | |
Index | |
Stories | |
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33⅓ rpm Accessed Adriano Celentano album artists audience Banco bands Battiato beat bitt Bruno Cantacronache cantautori Canto canzone d’autore canzone italiana canzone napoletana Celentano Ciao cinema composer concept cover cultural edited English Equipe 84 Esposito ethnomusicology Fabrizio De André Felona film Fossati Francesco Freccia genre Gino Paoli Goffredo guitar IASPM instrumental Italian music Italian pop Italian popular music Italo disco Italy jazz Ligabue listeners Lucio Battisti Luigi Luigi Tenco lyricist melodic Milan Modugno Mogol Morricone Musical Example musicians musicology Naples Power Napoli Napoli Centrale Neapolitan Song neomelodici Numero Nuova opera Paolo percent performed Plastino political popular music studies production progressive rock radio Radiofreccia Rascel Record sleeve released repertoire rhythm rhythmic Ricordi SRL riff Roberto Rome Sanremo Festival scene singer-songwriters singers singing social songwriters Sorona sound Storia Straniero style sung Tenco Toni Toni Esposito tradition Turin Umberto vocal voice