Of Minnermus we have but one fragment; and it is so consistent with the character given of his writings by the ancient critics, that we are disposed to believe it genuine. It is impressed with the same despair and passion; it emits flashes of nobler feeling than animate the mere lover of sensual gratification, and reveals a mind, which felt its own superiority to the miserable pursuits in which it was engaged. The future is in his creed covered with impenetrable gloom all is withering and perishing in his grasp; and these reflections united with the bitter conviction of the "vanity and vexation of spirit," embittering every earthly enjoyment, continually press on his mind, and intrude their melancholy presence on his most festive hours. In somewhat of the spirit which animated the Egyptian in placing at his banquet the ghastly and mouldering skeleton, 66 does he urge them as motives to the! pursuit of pleasure. How different the light-hearted gaiety of Anacreonhe is as sedulous in removing all such unwelcome visiters from his guests, as the other is in introducing them to: their notice, or if for a moment he does turn from his mirth and festivity to bestow a transient thought on the brevity and emptiness of life, no lasting impression is made; the momentary shadows unheeded pass over his mind, and the more congenial images of joy and revelry are again mirrored there. In Minnermus there are traces of deep and powerful emotion, blighted, indeed, and misdirected; but Anacreon seems to have imbibed the very spirit of that philosophy, to which Epicurus afterwards gave his name, to feel nothing, to live only for self, nor allow the heart to take more than a momentary interest in any object. "Of all that is most beauteous, imaged there And fields invested with purpureal gleams. We feel how utterly untranslatable of this. The two following are, we is the Spartan brevity and strength think, equally worthy of admiration : "Dost thou inquire the fate of those below? The morn beheld them ranged in firm array, : • Wordsworth's Laodamia. A poem which breathes all the tranquillity, majesty, and purity of thought, which characterise the loftiest strains of the Grecian muse. ON THE 300 SPARTANS WHO FELL IN THE CONTEST FOR THYREA. "Sparta, each valiant son of thine lies low With these proud words, in blood, 'we've won the field.' Much of beauty and appropriateness the ancient epitaphs must have derived from the localities of their tombs; in the garden, the field, by the wayside, or along the margin of the murmuring river, slept the dead, reminding man of his frail and perishing nature, amid every scene, and in every mood. Often must nature thus have spoken to the heart with a thousand gentle tones of consolation. Often must the great lesson she is so incessantly presenting to our eyes of birth and death, decay and reproduction, have sensibly and visibly impressed itself on the feelings, and awakened the conviction which, however stifled, we cannot but believe lives in all, of our glorious destiny and immortality. Beautiful and not wholly unprofitable types and shadows would be suggested, tender thoughts and reflections cherished, and death itself associated with these pure and soothing influences, lose half its terrors. We feel that the epitaphs which survive, have lost half their charm deprived of these accompaniments; yet, with all these disadvantages, and even through our feeble version, we hope our readers will perceive the beauty of the following. INSCRIBED BY A MOTHER ON HER SON'S TOMB. BY LEONIDAS. Ah, hapless son-more hapless I who mourn In the cold world, that cannot share my woe. I feel such love as ours can never die- It bids me hope from this dull earth to soar BY LEONIDAS. This is the tomb of Crethon-wealth and power, BY LEONIDAS. Kind shepherd, should this cool retreat INCERTI AUCTORIS. Take old Amynticus unto thy breast Kind earth-for he with many an herb and flower And round it wreathed an ever-verdant bower. BY ANTIPATER. Vainly-ye tyrants-vainly would ye doom BY ERINNA. Ye figures weeping o'er the senseless urn! Oh bid him shed a few sad tears, above The self-same choir that hymned the nuptial strain Poured its pale light at eve, above her tomb. INCERTI AUCTORIS. Though round thee beam the brightest eyes, No thought of care, no sense of pain, Pass but a few short years-thou must ON A NAMELESS TOMB. No word declares who rests beneath this tomb, He sleeps as sound, as though in pompous state I stood beside thy grave, dear friend, and thought When we together strayed by ocean's shore, Renew the friendship, which despite of time THE DESTROYER AND THE DELIVERER. A TALE OF THE EARLY AGES. IN one of those fruitful valleys which are still to be met by the traveller in the remote districts of Upper Syria, dwelt a tribe of the descendants of the patriarchs who exercised the primitive occupation of shepherds. Rarely wandering beyond the confines of the valley which supplied their flocks and herds with abundant pastures, these simple people were content with the blessings they enjoyed in the undisturbed solitude of their peaceful retreat. The fruits of the earth yielded their repasts, a delicious variety without care or culture, and their flocks supplied them with nutriment and clothing, which, if not of the most luxurious description, was sufficient for Nature's wants. Wars, contentions and jea lousies were unknown in the valley of Ephron, for every person there pos sessed a competency of the necessaries of life, and the acquisition of more would have been troublesome and useless. Poverty there had never chilled with her cold hand, the kindly sympathies of the heart, nor had riches entered to corrupt the pure stream of benevolence. Amongst the dwellers in Ephron none was more revered than the aged Naram, for his superior wisdom. Full of years and houors-the honors conferred on exalted virtue by the respect of the virtuous, Naram lived to see his sons and daughters grow up around |