Obrazy na stronie
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Let reason rule things worthy blame,
As well as fancy, partial like.

Take counsel of some wiser head,
Neither too young nor yet unwed.

And when thou com'st thy tale to tell,
Smooth not thy tongue with filed talk,
Lest she some subtle practice smell,
A cripple soon can find a halt;

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But plainly say thou lov'st her well,
And set thy person forth to sell.

What though her frowning brows be bent,
Her cloudy looks will calm ere night;
And then too late she will repent
That thus dissembled her delight;
And twice desire, ere it be day,
That which with scorn she put away.

What though she strive to try her strength,
And ban and brawl, and say thee nay,
Her feeble force will yield at length,
When craft hath taught her thus to say:
"Had women been so strong as men,
In faith, you had not had it then."

And to her will frame all thy ways;
Spare not to spend, and chiefly there
Where thy desert may merit praise,
By ringing in thy lady's ear.

The strongest castle, tower, and town,
The golden bullet beats it down.

Serve always with assured trust,

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And in thy suit be humble true;

Unless thy lady prove unjust,

Press never thou to choose a new.

When time shall serve, be thou not slack To proffer, though she put thee back.

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fight!

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Clear wells spring not,

Sweet birds sing not,

Green plants bring not Forth their dye;

Herds stand weeping,

Flocks all sleeping,

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The wiles and guiles that women work,
Dissembled with an outward show,
The tricks and toys that in them lurk,
The cock that treads them shall not know.
Have you not heard it said full oft,
A woman's nay doth stand for nought?

Think women seek to strive with men To sin, and never for to saint:

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She, poor bird, as all forlorn,
Lean'd her breast up-till a thorn,
And there sung the dolefull'st ditty.
That to hear it was great pity.
"Fie, fie, fie," now would she cry;
Tereu, tereu!" by and by;
That to hear her so complain,
Scarce I could from tears refrain;
For her griefs, so lively shown,
Made me think upon mine own.

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Ah, thought I, thou mourn'st in vain!
None takes pity on thy pain.

Senseless trees they cannot hear thee;
Ruthless beasts, they will not cheer thee.
King Pandion he is dead;

All thy friends are lapp'd in lead;
All thy fellow birds do sing,
Careless of thy sorrowing.

[Even so, poor bird, like thee,
None alive will pity me.]

Whilst as fickle Fortune smil'd,

Thou and I were both beguil'd.
Every one that flatters thee
Is no friend in misery.

Words are easy, like the wind;

Faithful friends are hard to find:

Every man will be thy friend

Whilst thou hast wherewith to spend.

There will we sit upon the rocks,

And see the shepherds feed their flocks
By shallow rivers, by whose falls
Melodious birds sing madrigals.

There will I make thee a bed of roses,
With a thousand fragrant posies;
A cap of flowers, and a kirtle

Embroidered all with leaves of myrtle;

A belt of straw and ivy buds,
With coral clasps and amber studs;
And if these pleasures may thee move,
Then live with me and be my love.

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Beasts did leap, and birds did sing,

Trees did grow, and plants did spring;

Every thing did banish moan,

Save the nightingale alone.

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But if store of crowns be scant,

No man will supply thy want.

If that one be prodigal,

Bountiful they will him call, And with such-like flattering,

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Pity but he were a king! If he be addict to vice, Quickly him they will entice: If to women he be bent, They have at commandement: But if Fortune once do frown, Then farewell his great renown; They that fawn'd on him before Use his company no more. He that is thy friend indeed, He will help thee in thy need: If thou sorrow, he will weep; If thou wake, he cannot sleep; Thus of every grief in heart He with thee doth bear a part. These are certain signs to know Faithful friend from flatt'ring foe.

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THE PHOENIX AND THE TURTLE

THIS poem, with Shakespeare's name attached, appeared in Robert Chester's Love's Martyr, or Rosalin's Complaint. Besides Chester's own work, the volume contained verses on the Phoenix and the Turtle attributed to Shakespeare, Marston, Chapman, Jonson, and "Ignoto." The ascription to Shakespeare is generally, though not universally, accepted, such scepticism as exists being usually based upon the absence among his acknowledged works of anything with precisely the same characteristics. The poem exhibits the influence of a number of literary conventions, such as the congress of birds, the metaphysical quibbling on unity in duality, Platonic affection, the debate between Love and Reason, and the emblematic signification of the Phoenix and the Turtle-dove as typifying Rarity and Constancy, or Beauty and Truth. There is no difficulty in conceiving Shakespeare as joining with a group of his fellows to exercise his ingenuity on such themes. No valid evidence exists either for or against the poem's having an historical or personal reference.

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Property was thus appalled,
That the self was not the same;
Single nature's double name
Neither two nor one was called.
Reason, in itself confounded,
Saw division grow together,
To themselves yet either neither,
Simple were so well compounded,

That it cried, "How true a twain
Seemeth this concordant one!
Love hath reason, Reason none,
If what parts can so remain."

Whereupon it made this threne
To the phoenix and the dove,
Co-supremes and stars of love,
As chorus to their tragic scene.

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TEXTUAL NOTES

In the following notes are recorded the more important variations of the text from the readings of the edition chosen as a basis in each case.

LOVE'S LABOUR'S LOST

Text based on Q1

I. i. 62. feast] fast Q Ff. i. 184. tharborough] Farborough Q. ii. 106. blushing] F2; blush-in Q F1. ii. 150. [Dull] Clo. Q. II. i. 88. unpeopled] Ff; unpeeled Q. i. 115, etc. Kath.] Q; Rosa. Ff. i. 193. [Exit] Exit. Enter Dumaine Q Ff. i. 195. [Katherine] Rosalin Q Ff; i. 219. Kath.] Q; La. Ma. Ff. i. 221, 222, 224. Kath.] La. Q Ff. i. 254. Ros.] Ff; Lad. Q. i. 255. Mar.] Ff; Lad. 2. Q. i. 256. Kath.] Lad. 3. Q; Lad. 2. Ff. i. 257. Ros.] Lad. Q; La. 1. Ff. i. 258. Mar.] Lad. Q; Lad. 2. Ff.

III. i. 1. Song] Ff; om. Q. i. 1-67. For Arm., Moth, and Cost., in speech tags, Ff read Brag., Boy, and Clow.

IV. i. 1, etc. Prin.] Quee. Q; Qu. Ff. ii. 67, 80, 85, 89, 95, 107, 135. Hol.] Nath. Q Ff. ii. 75, 106, 152. Nath.] Holo. Q Ff. ii. 80. ingenious] ingenous Q. ii. 95. Fauste... pecus omne] Facile.. •pecas somnia Q. ii. 99, 100. Venetia, etc.] vemchie, vencha, que non te vnde, que non te perreche Q F1. ii. 123, 154. Hol.] Pedan. Q Ff. ii. 125-132. Given to Nath. Q Ff. ii. 140 Sir Nathaniel] Ped. Sir Holofernes Q; Per. Sir Holofernes Ff. iii. 176. to me... by you] by mee... to you Q Ff. iii. 299-304. These lines, substantially repeated at 320, 350-352, are supposed to be a survival of the earlier form of the play.

V. i. 27. insanie] infamie Q Ff. i. 30. bone] bene Q Ff. i. 31. Bone... Priscian] Bome boon for boon prescian Q Ff. i. 56. third] last Q Ff. i. 125. [Nathaniel] Holofernes Q Ff. ii. 28. cure... care] care... cure Q Ff. ii. 67. pedant-like] perttaunt-like Q. ii. 407. affectation] affection Q Ff. ii. 517. least] Ff; best Q. ii. 598. [Moth retires] Exit Boy Q Ff. ii. 773. strange] straying Q Ff. ii. 826. ever] Ff; herrite Q. ii. 834. A wife ?] This begins Katherine's speech in Q Ff. ii. 905, 906. Transposed in Q Ff. ii. 926. foul] full Q. ii. 940-1. You... this way] Ff; om. Q.

THE COMEDY OF ERRORS

Text based on F1

I. i. 55. meaner] meane Fi; poor meane F2 8 4. ii. 1. ANTIPHOLUS of Syracuse] Antipholis Erotes Ff.

II. i. 1. ADRIANA] Adriana, wife to Antipholis Sereptus Ff. i. 64. home] om. Ff. i. 107. alone, alone] Fa; alone, a loue F1. i. 110, 111. and tho' ... yet] yet the... and Ff. i. 112. Wear] where F1. ii. 99. tiring] trying Ff. ii. 188. offer'd] free'd Ff. ii. 197. not I] I not Ff.

III. ii. 1. LUCIANA] F2; Juliana F1. ii. 4. ruinous] ruinate Ff. ii. 21 but] not Ff. ii. 49. bed] F2; bud F2. them] thee Ff.

IV. i. 17 her] their Ff. ii. 61. 'a] I Ff. iii. 24. bob] sob Ff. iv. 1. the OFFICER] a Jailor Ff. iv. 45. to prophesy] the prophesie Ff. iv. 149. again] again. Runne all out Ff.

V. 195. Ege] Mar Fat. F1. i. 356–361. Inserted after 345 in Ff. i. 402. ne'er] are Ff.

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I. i. 10. New-bent] Now bent Q. i. 136. low] loue Q. i. 187. Yours would] Your words Q. i. 216. sweet] sweld Q. i. 219. stranger companies] strange companions Q.

II. i. 101. cheer] heere Q. i. 109. thin] chinne Q. i. 247. Re-enter...] Enter Puck (after 247) Q. ii. 77. kill-courtesy] this killcourtesy Q.

III. i. 85. Odorous, odorous] Odours, odorous Qq; Odours, odours Ff. ii. 48. knee-deep] the deep Q. ii. 57. dread] dead Q. ii. 80. so] om. Q. ii. 215. rend] rent Q. ii. 250. prayers] praise Q. ii. 257. [but] om. Q; Sir, Ff. ii. 279. doubt] of doubt Q.

V. i. 127. Enter...] Tawyer Ff. i. 193. up in thee] Ff; now againe Q. i. 209. moon used] morall downe Ff. i. 279. gleams] beames Q. i. 330. moans] means Q. i. 379. behowls] beholds Q

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