Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
Z wnętrza książki
Wyniki 1 - 3 z 55
Strona 29
... social - illusionary devel- opment are the victims of an illusion . " The authors of Modern Woman : The Lost Sex likened feminists to communists- " the political agents of the Krem- lin abroad " who " continue to beat the feminist drums ...
... social - illusionary devel- opment are the victims of an illusion . " The authors of Modern Woman : The Lost Sex likened feminists to communists- " the political agents of the Krem- lin abroad " who " continue to beat the feminist drums ...
Strona 68
... social and psychological material . Peter Sasdy's Countess Dracula ( 1971 ) explored the tensions between maternal power and the social roles assigned to women in a patriarchal society through its eponymous heroine ( Ingrid Pitt ) , who ...
... social and psychological material . Peter Sasdy's Countess Dracula ( 1971 ) explored the tensions between maternal power and the social roles assigned to women in a patriarchal society through its eponymous heroine ( Ingrid Pitt ) , who ...
Strona 187
... social conditioning , by refusing to show off her mastectomy scars in the belief that these are what render her an " imperfect " woman ; Buck responds by admitting that , as someone who has likewise been regarded as a social misfit ...
... social conditioning , by refusing to show off her mastectomy scars in the belief that these are what render her an " imperfect " woman ; Buck responds by admitting that , as someone who has likewise been regarded as a social misfit ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
Nie pokazano 21 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
American Amini Aspern Papers audience Berkeley Square Bogdanovich's Bostonians Brydon camera Campion Catherine Cellan Jones's characters Charlotte Cinema classic Clear Day close-up costumes critical culture Cynthia Daisy Miller Densher director dominant Eleanor emphasized fantasy female feminine feminism feminist film's filmgoers Flora focusing Freudstein gender ghosts Golden Bowl governess governess's Harmondsworth Haunting of Hell Heiress Helen Henry James Henry James Goes Hollywood horror films Hossein Amini Innocents Isabel Ivory Ivory's James adaptations James Ivory James's novel Jane Jolly Corner Lady London looking Lost Moment Madeleine Potter male marriage masculine Merchant-Ivory Miles Milly Milly's Miss Giddens Miss Jessel Movies narrative Nightcomers novella observes Osmond patriarchal Penguin Books play Portrait production Quint role scene screen Screenplay Screw sense sequence sexual shot social Softley Softley's someone soundtrack Standish story suggests Susan Susan Hayward television Tina tion Turn University Press viewers Washington Square Wings Winterbourne woman women York