Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
Z wnętrza książki
Wyniki 1 - 3 z 58
Strona 8
... male gaze until the final sequence when she opts for life in a nunnery . Although confining herself voluntarily to the mar- gins of society , she discovers her own form of self - expression . In a medium in which the conditions of ...
... male gaze until the final sequence when she opts for life in a nunnery . Although confining herself voluntarily to the mar- gins of society , she discovers her own form of self - expression . In a medium in which the conditions of ...
Strona 82
... male gaze.30 From this point of view , Winterbourne can be thought of as being involved in a motion picture of his own life , wherein he has retreated from the world of male competition and where Daisy is placed on a series of romantic ...
... male gaze.30 From this point of view , Winterbourne can be thought of as being involved in a motion picture of his own life , wherein he has retreated from the world of male competition and where Daisy is placed on a series of romantic ...
Strona 122
... male to conform to accepted behavioral notions of " masculinity ” – particularly in the 1970s when , as Tom Williamson observes , the very act of questioning the male condition " was to appear weak and unstable and to lose credibility ...
... male to conform to accepted behavioral notions of " masculinity ” – particularly in the 1970s when , as Tom Williamson observes , the very act of questioning the male condition " was to appear weak and unstable and to lose credibility ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
Nie pokazano 21 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
American Amini Aspern Papers audience Berkeley Square Bogdanovich's Bostonians Brydon camera Campion Catherine Cellan Jones's characters Charlotte Cinema classic Clear Day close-up costumes critical culture Cynthia Daisy Miller Densher director dominant Eleanor emphasized fantasy female feminine feminism feminist film's filmgoers Flora focusing Freudstein gender ghosts Golden Bowl governess governess's Harmondsworth Haunting of Hell Heiress Helen Henry James Henry James Goes Hollywood horror films Hossein Amini Innocents Isabel Ivory Ivory's James adaptations James Ivory James's novel Jane Jolly Corner Lady London looking Lost Moment Madeleine Potter male marriage masculine Merchant-Ivory Miles Milly Milly's Miss Giddens Miss Jessel Movies narrative Nightcomers novella observes Osmond patriarchal Penguin Books play Portrait production Quint role scene screen Screenplay Screw sense sequence sexual shot social Softley Softley's someone soundtrack Standish story suggests Susan Susan Hayward television Tina tion Turn University Press viewers Washington Square Wings Winterbourne woman women York