Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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... fantasy sequence to disrupt the flow of the narrative . Judith Mayne has defined fan- tasy as " the staging of desire ... a form of mise - en - scène , " 23 and this descrip- tion could equally well apply to Marc Chabot's dream of ...
... fantasy sequence to disrupt the flow of the narrative . Judith Mayne has defined fan- tasy as " the staging of desire ... a form of mise - en - scène , " 23 and this descrip- tion could equally well apply to Marc Chabot's dream of ...
Strona 87
... fantasy sequence , something that is characteris- tic of Vincente Minnelli's oeuvre . The ballet interlude in An American in Paris ( 1951 ) contrasts the black - and - white of the central character's ( Gene Kelly's ) sketch of Paris ...
... fantasy sequence , something that is characteris- tic of Vincente Minnelli's oeuvre . The ballet interlude in An American in Paris ( 1951 ) contrasts the black - and - white of the central character's ( Gene Kelly's ) sketch of Paris ...
Strona 261
... fantasy worlds : the past presented as an alternative to the present in Berkeley Square and I'll Never Forget You , or the past as a refuge from the present as in The Lost Moment . Even a woman's film such as The Heiress emerged in the ...
... fantasy worlds : the past presented as an alternative to the present in Berkeley Square and I'll Never Forget You , or the past as a refuge from the present as in The Lost Moment . Even a woman's film such as The Heiress emerged in the ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
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