Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
Z wnętrza książki
Wyniki 1 - 3 z 8
Strona 119
... Brydon and Alice , and records Brydon's impressions on returning to America as he becomes aware that " the ' swagger ' things , the modern , the monstrous , the famous things , those he had . . . come over to see , were exactly the ...
... Brydon and Alice , and records Brydon's impressions on returning to America as he becomes aware that " the ' swagger ' things , the modern , the monstrous , the famous things , those he had . . . come over to see , were exactly the ...
Strona 120
... Brydon in the house , a candle in his hand , looking for the mysterious figure . This alteration has been inspired by Brydon's remark that he wanted to see this " just so totally other person . . . . And I can . And I shall . " 12 ...
... Brydon in the house , a candle in his hand , looking for the mysterious figure . This alteration has been inspired by Brydon's remark that he wanted to see this " just so totally other person . . . . And I can . And I shall . " 12 ...
Strona 123
... Brydon and making a grab for him ; Brydon sinks to the floor , smashing the candle- stick he is holding into smithereens.25 The screen fades to black , and the next thing we see is Brydon waking up the next morning in Alice's arms . In ...
... Brydon and making a grab for him ; Brydon sinks to the floor , smashing the candle- stick he is holding into smithereens.25 The screen fades to black , and the next thing we see is Brydon waking up the next morning in Alice's arms . In ...
Spis treści
Chapter 2 | 30 |
The Heiress 1949 | 39 |
Ill Never Forget You 1951 | 51 |
Prawa autorskie | |
Nie pokazano 21 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
American Amini Aspern Papers audience Berkeley Square Bogdanovich's Bostonians Brydon camera Campion Catherine Cellan Jones's characters Charlotte Cinema classic Clear Day close-up costumes critical culture Cynthia Daisy Miller Densher director dominant Eleanor emphasized fantasy female feminine feminism feminist film's filmgoers Flora focusing Freudstein gender ghosts Golden Bowl governess governess's Harmondsworth Haunting of Hell Heiress Helen Henry James Henry James Goes Hollywood horror films Hossein Amini Innocents Isabel Ivory Ivory's James adaptations James Ivory James's novel Jane Jolly Corner Lady London looking Lost Moment Madeleine Potter male marriage masculine Merchant-Ivory Miles Milly Milly's Miss Giddens Miss Jessel Movies narrative Nightcomers novella observes Osmond patriarchal Penguin Books play Portrait production Quint role scene screen Screenplay Screw sense sequence sexual shot social Softley Softley's someone soundtrack Standish story suggests Susan Susan Hayward television Tina tion Turn University Press viewers Washington Square Wings Winterbourne woman women York