High Anxieties: Cultural Studies in Addiction

Przednia okładka
University of California Press, 21 lis 2002 - 232
High Anxieties explores the history and ideological ramifications of the modern concept of addiction. Little more than a century old, the notions of "addict" as an identity and "addiction" as a disease of the will form part of the story of modernity. What is addiction? This collection of essays illuminates and refashions the term, delivering a complex and mature understanding of addiction.

Brodie and Redfield's introduction provides a roadmap for readers and situates the fascinating essays within a larger, interdisciplinary framework. Stacey Margolis and Timothy Melley's pieces grapple with the psychology of addiction. Cannon Schmitt and Marty Roth delve into the relationship between opium and the British Empire's campaign to control and stigmatize China. Robyn R. Warhol and Nicholas O. Warner examine accounts of alcohol abuse in texts as disparate as Victorian novels, Alcoholics Anonymous literature, and James Fenimore Cooper's fiction. Helen Keane scrutinizes smoking, and Maurizio Viano turns to the silver screen to trace how the representation of drugs in films has changed over time. Ann Weinstone and Marguerite Waller's essays on addiction and cyberspace cap this impressive anthology.
 

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Spis treści

Introduction
1
PART I CONSTRUCTIONS OF ADDICTION
17
PART II FIGURES OF THE ORIENT
61
PART III DEMON DRINK
95
PART IV PLEASURES REPRESSIONS RESISTANCES
117
PART V TRAUMA MEDIA CYBERSPACE
159
NOTES
191
ABOUT THE CONTRIBUTORS
225
INDEX
227
Prawa autorskie

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Informacje o autorze (2002)

Janet Farrell Brodie is Department Chair of History at Claremont Graduate University and author of Contraception and Abortion in Nineteenth-Century America (1994). Marc Redfield is Department Chair and Professor of English at Claremont Graduate University. He is the author of The Politics of Aesthetics: Nationalism, Gender, Romanticism (2002) and Phantom Formations: Aesthetic Ideology and the Bildungsroman (1996).

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