The music, or melody of rhythmus of languageGeorg Olms Verlag |
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Strona iii
... Poetry by Cadences as it ought to be Read , and not by the Rules of Prosody ; the Tune and Time of Composition , and the Correct Manner of Reading and Speaking . TO WHICH ARE ADDED , Dutlines of Gesture , AND A SELECTION of pieces in ...
... Poetry by Cadences as it ought to be Read , and not by the Rules of Prosody ; the Tune and Time of Composition , and the Correct Manner of Reading and Speaking . TO WHICH ARE ADDED , Dutlines of Gesture , AND A SELECTION of pieces in ...
Strona vii
... . Metres , how diversified , 26 27 Lengths of Poetic lines , no necessary part of Rhythmus , ... ib . Polysyllables , how affected to the Heavy and the Light ...... 28 CHAP . VIII . Cadence , what , and how CONTENTS vii.
... . Metres , how diversified , 26 27 Lengths of Poetic lines , no necessary part of Rhythmus , ... ib . Polysyllables , how affected to the Heavy and the Light ...... 28 CHAP . VIII . Cadence , what , and how CONTENTS vii.
Strona ix
... Poetry , ... 77 CHAP . XIV . Various passages selected as Exercises to be marked with Thesis and Arsis , or Pulsation and Remission , CHAP . XV . ... 78 Exercises to be marked with Thesis and Arsis , Pause , and Rhythmical Cadences , 85 ...
... Poetry , ... 77 CHAP . XIV . Various passages selected as Exercises to be marked with Thesis and Arsis , or Pulsation and Remission , CHAP . XV . ... 78 Exercises to be marked with Thesis and Arsis , Pause , and Rhythmical Cadences , 85 ...
Strona xix
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Strona xx
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Spis treści
Music its Division into Sound and Measure or Melody | 6 |
Modulation of Voice | 7 |
Thesis and Arsis overlooked or misunderstood by Com | 16 |
Scanning by the Rules of Prosody destructive of our finest | 22 |
The Meagre Quantity allowed by Commentators Proso | 23 |
Lengths of Poetic lines no necessary part of Rhythmus | 28 |
Cadence what and how divided | 29 |
Quality of Cadences those admissible those inadmissible | 38 |
Sacred Pieces in Prose and Verse | 137 |
CHAP IV | 154 |
Habakkuk Chap | 159 |
CHAP V | 163 |
The Ten Commandments | 165 |
A Hymn | 171 |
attempts to counteract the Thesis and Arsis or Pulsa | 178 |
Azims Entry to the Palace of Mokanna | 187 |
Distinction between Prose and Verse | 46 |
Measuring Prose and VerseChange of Time or Rhyth | 48 |
Words marked with proper Accent Quantity and Emphasis | 56 |
Definition of Music when applied to Song and to Speech | 65 |
Reformation of Prosodians not the only object of this | 72 |
Various passages selected as Exercises to be marked with | 78 |
Exercises to be marked with Thesis and Arsis Pause | 85 |
Exercises to be marked with Thesis and Arsis Bars or | 98 |
The Organs collectively considered as a Musical Instru | 128 |
Medoras Song | 193 |
Monody on the Princess Charlotte of Wales | 201 |
Speech of Brutus against Cæsar | 211 |
Hohenlinden | 217 |
On Delivery | 226 |
Accentual Slides among the Greeks posterior to the days | 228 |
Sense Taste and Genius distinguished | 230 |
Kluczowe wyrazy i wyrażenia
५५ accent accidents of language Æneid affections anapest apocope ARSIS and THESIS articulation beauty Blessed breath cadence or bar called CHAPTER choriambic cretic dactyl earth Elocution emphasis of sense English example eyes five cadences following lines grace Greek feet Hail hath hear heart heaven heavy and light heavy syllable hexametre iambus joys Latin languages length light syllables Lord loud lov'd manner mark melody metre mode of scanning molossus nature never night notes or syllables o'er poetry poize primus ab pronounce proper prose prosodians prosody pulsation and remission Pyrrhic quantity Quintilian Rationalis reading and speaking rests or pauses rhyth rhythmus rules of prosody SELECTED AS EXERCISES shades sing six cadences soft song soul sound speech spondee sweet teach thee Thesis and Arsis Thou shalt tion trochee variety voice whole words Δ Δ