The Director at WorkPrentice-Hall, 1985 - 240 Explains the role of a director from his first encounter with a play through casting, rehearsals, staging and shaping the play - A director's approach to Hamlet_ |
Spis treści
ONE THE DIRECTORS MIND | 3 |
TWO WHAT A DIRECTOR DOES | 9 |
THREE THE DIRECTOR AS TRANSLATOR | 17 |
Prawa autorskie | |
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Kluczowe wyrazy i wyrażenia
action actors adjustments audience audition begin blocking cast central characters choice Claudius Claudius's Closet scene conflict costume created creative crisis cues decide develop Dick directing director discuss dramatic E. M. W. Tillyard effect elements entrance experience exploration express feel fight final flow Fortinbras Gertrude Ghost give given circumstances ground plan HAMLET LOG happen Horatio idea important instance Jack O'Brien Jeannie Jerry Turner kill King Laertes lighting Mark Lamos metaphor Michel Saint-Denis momentum move nature notes opening Ophelia Osric performance play play's Players plot Polonius possible preparation production props qualities rehearsal hall rehearsal process relationship rhythm rhythmic Richard Foreman role Rosencrantz and Guildenstern run-through scenic sense sequence Shakespeare shape soliloquies sound spatial specific stage manager Stanislavski strategy suggest system of norms tapestry technical rehearsal theatre theatrical things Todd Barton understanding Waiting for Godot weeks