The Spenser EncyclopediaA.C. Hamilton Routledge, 1 lip 2020 - 880 'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains |
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... story of Venus and Adonis, continued from the tapestry in Malecasta's castle (III i 34–8), and the story of Amoref's infancy. Stories alluded to but not continued from elsewhere in the that of Cupid and Psyche, which is brought to a ...
... story of Venus and Adonis, continued from the tapestry in Malecasta's castle (III i 34–8), and the story of Amoref's infancy. Stories alluded to but not continued from elsewhere in the that of Cupid and Psyche, which is brought to a ...
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... story in medias res, through the framing narrative of Amoret, and then developing it chronologically both forward and backward. The effect is to supplant Aemylia from the center of her own story and make her an aspect of Amoret. As the ...
... story in medias res, through the framing narrative of Amoret, and then developing it chronologically both forward and backward. The effect is to supplant Aemylia from the center of her own story and make her an aspect of Amoret. As the ...
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... Story and Helen Gardner (Oxford). Verses on Spenser are contained in Oxford, Bodleian Library, Ms Rawlinson D.293. For Alabaster's life, see the introduction to the Story and Gardner edition; Louise Imogen Guiney 1939 ed Recusant Poets ...
... Story and Helen Gardner (Oxford). Verses on Spenser are contained in Oxford, Bodleian Library, Ms Rawlinson D.293. For Alabaster's life, see the introduction to the Story and Gardner edition; Louise Imogen Guiney 1939 ed Recusant Poets ...
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... story. Allegorical narrative is unusual in this respect because it intentionally violates our sense of causal relations and natural setting—our sense, that is, of the believably real— and forces us to unify what we read according to ...
... story. Allegorical narrative is unusual in this respect because it intentionally violates our sense of causal relations and natural setting—our sense, that is, of the believably real— and forces us to unify what we read according to ...
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