The Spenser EncyclopediaA.C. Hamilton Routledge, 1 lip 2020 - 880 'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains |
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... Spenserian stanza. One such attempt by Elihu Hubbard Smith, called 'In Imitation of Spenser: A Fragment' (1791), might better have been named 'In Imitation of Thomson,' for it combined the landscape detail of The Seasons with the ...
... Spenserian stanza. One such attempt by Elihu Hubbard Smith, called 'In Imitation of Spenser: A Fragment' (1791), might better have been named 'In Imitation of Thomson,' for it combined the landscape detail of The Seasons with the ...
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... Spenserian themes and characters have been discerned in his works, as they have been, though to a lesser degree, in the writings of Melville, who shared his enthusiasm for Spenser but not his sensibility. Melville's ironic use of Spenserian ...
... Spenserian themes and characters have been discerned in his works, as they have been, though to a lesser degree, in the writings of Melville, who shared his enthusiasm for Spenser but not his sensibility. Melville's ironic use of Spenserian ...
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... Spenserian items such as areede 'counsel,' beldame, maugre, unweeting, and yclept, especially in his early poetry, though he passes by the more extreme forms of dialectal archaism, and the older morphological and syntactical oddities ...
... Spenserian items such as areede 'counsel,' beldame, maugre, unweeting, and yclept, especially in his early poetry, though he passes by the more extreme forms of dialectal archaism, and the older morphological and syntactical oddities ...
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... Spenserian temperance is not, in its moral aspect, Aristotle's balance point between excess and defect but the rejection of Satanic temptation such as Christ's in Matthew 4.1– 11, an incident reflected in Guyon's experience in the house ...
... Spenserian temperance is not, in its moral aspect, Aristotle's balance point between excess and defect but the rejection of Satanic temptation such as Christ's in Matthew 4.1– 11, an incident reflected in Guyon's experience in the house ...
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