A Reply to an Unsentimental Sort of Critic: The Reviewer of Spence's Anecdotes, in the Quarterly Review for October 1820; Otherwise to a Certain Critic and Grocer, the Longinus of In-door NatureR. Cruttwell and sold by Longman, Hurst, Rees, Orme and Brown, 1820 - 43 |
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Strona 7
... with their mountains and woods shining to the * See what is said of a " provincial " editor , whose imagination is diseased , and intellect crazed , by living in the country ! glorious sun - set ! Let him enjoy all these [ 7 ]
... with their mountains and woods shining to the * See what is said of a " provincial " editor , whose imagination is diseased , and intellect crazed , by living in the country ! glorious sun - set ! Let him enjoy all these [ 7 ]
Strona 22
... , to DESCRY NEW LANDS , " RIVERS , or MOUNTAINS , IN HER SPOTTY GLOBE . ' " Who does not perceive the art of the poet in " introducing , besides the telescope , as if conscious ' " how unpoetical it was in itself , all [ 22 ]
... , to DESCRY NEW LANDS , " RIVERS , or MOUNTAINS , IN HER SPOTTY GLOBE . ' " Who does not perceive the art of the poet in " introducing , besides the telescope , as if conscious ' " how unpoetical it was in itself , all [ 22 ]
Strona 23
... MOUNTAINS , and RIVERS , " in the moon's orb ? It is these which make the passage poetical , and not the telescope !! · " I will not press the inevitable inference on 66 you . I adduce your own illustration against you ; not so much for ...
... MOUNTAINS , and RIVERS , " in the moon's orb ? It is these which make the passage poetical , and not the telescope !! · " I will not press the inevitable inference on 66 you . I adduce your own illustration against you ; not so much for ...
Strona 28
... the vast ocean , the glowing sun , the solemn mountain , in external nature ; the passions and emotions of the heart , such as they are exhibited in the dramas of SOPHOCLES and • EURIPIDES , or the mighty magic of SHAKESPEARE , [ 28 ]
... the vast ocean , the glowing sun , the solemn mountain , in external nature ; the passions and emotions of the heart , such as they are exhibited in the dramas of SOPHOCLES and • EURIPIDES , or the mighty magic of SHAKESPEARE , [ 28 ]
Strona 34
... mountain as Ætna ; ” " to circumscribe moun" tains by a definition , will only shew the narrowness of the " definer : if Vesuvius be NOT a mountain , where is a MOUNTAIN " to be found ? " APPENDIX . Here follows Mr. O. G.'s Letter ...
... mountain as Ætna ; ” " to circumscribe moun" tains by a definition , will only shew the narrowness of the " definer : if Vesuvius be NOT a mountain , where is a MOUNTAIN " to be found ? " APPENDIX . Here follows Mr. O. G.'s Letter ...
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A Reply to an Unsentimental Sort of Critic: The Reviewer of Spence's ... William Lisle Bowles Podgląd niedostępny - 2019 |
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ADDISON admiral answer appears argument assert attack attempt attention beautiful believe BowLES BOWLESES brought called CAMPBELL's candour character charges comes compared correspondent critic defence deserve distinguished doubt Editor equal execution EXPLAINING expression external nature fact Family feelings GILCHRIST glowing head hear heart highest hope in-door nature JECT JOHNSON judge keep kind language least leave less Letter to CAMPBELL Literary living London Magazine Lord mast mean MILTON moral mountain Muggletonian mystic never object OCTAVIUS opinion original passage passions perhaps poem poet poetical poetry POPE POPE's prepared Principles printed produce professed prove publication published Quarterly Review quote ravings reader reasons received regard regret relation remark repeat reply respect rural Satan's seems seen shew sight sort speak spear SPENCE'S Anecdotes taking term thank thought thousand tion understand WALPOLE whilst writer
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Strona 22 - mast of the great admiral" might have been left out; but remark, in this image MILTON DOES NOT compare Satan's spear "with the mast of some great admiral," as you assert. The passage is, "His spear, to equal which the TALLEST PINE HEWN ON NORWEGIAN HILLS TO BE the mast Of some great ammiral, were but a wand!!" You leave out the chief, I might say the only, circumstance which reconciles the "mast" to us; and having detruncated MILTON'S image, triumphantly say, "MILTON is full of imagery derived from...
Strona 22 - He scarce had ceased, when the superior fiend Was moving toward the shore: his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views, At evening, from the top of Fesole, Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Strona 34 - After all this, it is surely superfluous to answer the question that has once been asked, Whether Pope was a poet? otherwise than by asking in return, If Pope be not a poet, where is poetry to be found? To circumscribe poetry by a definition will only show the narrowness of the definer, though a definition which shall exclude Pope will not easily be made.
Strona 24 - I help pointing out, not -with triumph, but with repel, that you only agree with me in some points,: and that where we differ, your criticism conflictingly labours against your own argument : for when, nearly in the last sentence, you say, ' he, POPE, glows with passion in the Eloisa, and displays a LOFTY feeling, much ABOVE that of the SATIRIST and man of the world, in his Prologue to Cato, and his Epistle to Lord OXFORD...
Strona 25 - And bids th' eternal wheels to know their rounds, might well be excused for not descending to the minutely picturesque. The vindictive personality of his satire is a fault of the man, and not of the poet. But his wit is not all his charm. He glows with passion in the Epistle of Eloisa, and displays a lofty feeling much above that of the satirist and the man of the world in his Prologue to Cato and his Epistle to Lord Oxford.
Strona 22 - dextraque sinistraqite," and say, not only Satan's spear is compared to an "admiral's mast," but "his shield to the moon seen through a telescope]" My dear Sir, consider a little. You forget the passage; or have purposely left out more than half of its essential poetical beauty. What reason have I to complain, when you use MILTON thus? I beseech you recollect MILTON'S image. "His pond'rous shield Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views AT EVENING,...
Strona 37 - I think, ought not for a moment to be admitted folely on the teftimony of Walpole. Pope certainly was not a favourite (on account of political differences) with the Walpoles, though he received civilities from Sir Robert ; and till there is other proof...
Strona 20 - The " exquisite description of artificial manners and " habits is NOT LESS characteristic of genius than " the description of simple physical appearances.
Strona 22 - Or in VALDARNO, to DESCRY NEW LANDS, RIVERS, or MOUNTAINS, IN HER SPOTTY GLOBE.' " Who does not perceive the art of the poet in introducing, besides the telescope, as if conscious how unpoetical it was in itself, all the circumstances from NATURE, external nature, — the evening — the top of Fesole — the scenes of Valdarno — and the LANDS, MOUNTAINS, and RIVERS, in the moon's orb? It is these which make the passage poetical, and not the telescope!
Strona 22 - dextrdque " ' sinistrdque" and say, not only Satan's spear is " compared to an ' admiral's mast,' but ' his " ' shield to the moon seen through a telescope!" " My dear Sir, consider a little. You forget " the passage ; or have purposely left out more " than half of its essential poetical beauty. What " reason have I to complain, when you use " MILTON thus ? I beseech you recollect MIL