Music by Subscription: Composers and their Networks in the British Music-Publishing Trade, 1676–1820Simon D.I. Fleming, Martin Perkins Routledge, 30 gru 2021 - 270 This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research. |
Spis treści
Cecilia Maria Barthélemons Three Sonatas op 1 | |
Maria Hester Park and her subscribers | |
John | |
The musical circles of the vicar | |
SECTION 2 | |
The musicmaking of the Bridgeman family Weston Park | |
Musical societies in subscription lists | |
A national product | |
The British | |
Foreign composers the subscription market and the popularity | |
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Music by Subscription: Composers and Their Networks in the British Music ... Simon Fleming,Martin Perkins Podgląd niedostępny - 2022 |