p, 11 Ver. 17. Not from the darkness. The rendering given of this verse in E. V., and which corresponds to that of UMBREIT and other commentators of repute, makes no intelligible sense. It would represent Job as having this awful dread upon his soul because God had not "cut him off before the darkness" came, and then, with a feeble tantology besides, because He, God, "covered the darkness from his face." It all turns upon the rendering of ' (or rather the idea for which gives the reason), and on preserving the analogy between the 15 and the of ver. 15, and gives a protest rather than a reason. It was not the darkness that he dreaded so much, as a thing personal to himself, or the difficulty of understanding his own case, as that awful feeling which came over him when thinking of the confusion, blind disorder, ap-in respect to himself. But there was still support in the beparently, which seems to prevail in all the affairs of the world, especially human affairs. This protest seems to be in reply to what Eliphaz had said, xxii. 11, about the darkness which covered Job, and which, he intimates, had been brought upon him by his sins: and יזז of ver. 17. The Or darkness that thou canst not see, Or water floods that overwhelm thy soul. See the conclusive reasons for the rendering here adopted, as given by DELITZSCH, EWALD, DILLMAN, and ZOCKLER. The other rendering: "Because I was not cut off before the darkness, neither hath He covered the darkness from my face," would require a sudden change in the use of p, CHAPTER XXIV. 1 How is it,'-times from God are not concealed- 1 Ver. 1. How is it? EWALD, UMBREIT, HEILIGSTEDT, second clause, even if we take 1, in 1, as a mere copu- commentators, in his presenting both sides), God seems to have nothing to do with it, does not interfere with it, leaves things to take their own course, though seeing it all the while. Job is in a strange state of mind, bordering on a kind of fatalism; but his extreme positions are not so much his own better feeling as they are the ground to which he is driven in showing up the fallacies and one-sidedness of their views. This thought, kept in mind, will furnish a key to much that has seemed dark and contradictory in the chapter. 2 Ver. 2. Yes, landmarks. Here Job enters abruptly upon specifications of events showing the disorders God permits in the world. The whole chapter is a vivid picture of this, although the items are strangely mixed together, as though the passionateness of the speaker carried him out of all method. We have here the wretched vagabond wicked, the rich and powerful wicked, the suffering poor, the bold and dastard criminals, the murderer, the adulterer, the thief, characters of every grade, their prosperity and their misfortunes, the flight of the bad man (ver. 18), whether it be the thief pursued by the popular curse, or the fallen tyrant fleeing from the hootings of the proletaires, his rising again to power (ver. 22), his dying like all other men, the common grave, the worm, the oblivion, all set before us in a few touches that no effort of Dickens or Victor Hugo could rival. In the midst of it comes the brief-sketched scene of the stormed city (ver. 12), the dying groans, the wailing of the departing spirits of the slain, and what runs through all, and affects us more than all, the thought of God above, who sees, yet seemingly cares for none of these things." This is the polemic aim of the picture as against the friends. Job's darkness has a background of truth, and we need not therefore fear to say, that it is better than their false light. 3 Ver. 4. Their right. Heb. 777, their way, their home. That to which they have been accustomed. DEL. 4 Ver. 5. The barren wild their bread. Description of a wild gypsy life. 6 Ver. 6. Reap his fodder. The general sense clear, the particular applications uncertain. DELITZSCH seems to give the best interpretation: "The bad rich man has these vagabond proletaires to cut his fodder, but does not entrust to them the reaping of the better kinds of grain. So also he prudently hesitates to employ them as vintagers, but makes use of their labor to gather the straggling, late ripening grapes. In this and the following verses, the transitions from the one class to the other are very rapid. The most concise way to express it in a translation was to italicise one of the classes. 6 Ver. 7. Naked they lodge. The vagabonds again. The transition very abrupt, but all the more vivid. 7 Ver. 8. The rock their bed. Literally, they embrace the rock. 8 Ver. 9. Others tear; the widow's child, as meutioned just above. These are the wicked rich as distinguished from the proletaires, or reckless poor. 9 Ver. 10. Their garments. The pawned garment taken from the poor. 10 Ver. 11. Their: the rich. They: the poor. 11 Ver. 11. Thirsting still. Not allowed to drink of it; even as the hungry laborer not allowed to taste the grain he is carrying. Their thirst aggravated by the sight of the wine flowing from the presses which they turn. The vowel the city of the dead. Here comes suddenly a new picture of 12 Ver. 12. The city filled with dead. Literally, a city taken by storm. The accents connect ' closely with, and if they are to be regarded, the former cannot be the subject of PN, as EWALD and others render it, whatever may be the meaning of the noun. pointing, in most copies, is ', generally rendered men, which would give the rendering in the one case, men groan, and, in the other, men from the city-a very feeble sense in both cases. DELITZSCH tries to remedy this by rendering it men of war, with a reference to Deuteronomy ii. 34; iii. 6; Judg. xx. 48. But men in those passages are simply so named in distinction from comen. In the translations of EWALD, UMBREIT, DILLMANN, ZOCKLER, it is rendered Sterbende, the dying, which CONANT also adopts. In this they follow the Syriac, which derived it from the reading D' instead of . The English reader will see how slight the difference in the vowel pointing, (**) instead of (:), and how easily the change might be made. The Syriac, from an unpointed text, took the reading that seemed most natural. It also appears in some Hebrew codices, and is well defended by DE Rossi as presenting the best parallelism to on, the slain or wounded. Those who have adopted the reading ', which they render the dying, connect it with P, the dying groan, thereby disregarding the accents. These, however, may be observed if we give to D' its true rendering, which is not the dying, but the dead, past participle: From the city of the dead, so called because of the vast numbers of the dead lying within it-from the city filled with dead. Then there may be given to a general subject, they groan, or it may be taken impersonally, as in the translation 13 14 15 16 And shriek aloud the spirits of the slain; 15 They, too, those enemies of light, Who stay not in its trodden' paths; The murderer-at the dawn" he rises up, By night he plays the thief. The adulterer's eye waits for the twilight shade. A masking veil1s he puts upon his face. All strangers to the light. given above. The form Pas distinguished from the more usual PN, and as having more of an onomatopic resemblance to the thing signified, is used especially of the groans of the slain, as in Ezek. xxx. 24. "I will break the arms of Pharaoh and he shall groan the groanings of the slain." This greatly favors, too, the reading of D. Here, as in other parts of the Heurew Scriptures, the authors of the accents, if they belong not rather, in some way, to the Divine originals, have shown their spiritual acuteness. By the connection they have made, 1p stands by itself, as it were; the subject is left to the imagination of the hearer, as something well known, and whose suppression, therefore, is more pathetic than its mention: "they groan." In this position, too, it becomes more strictly the imperfect of description, instead of mere narration: "they are groaning-groans are continually ascending" All this makes it the more emotional. The force of it may have been given by a look or a gesture, but the strongest expression of it in a translation demands some interjectional word or phrase: hark! how they grown! as though the narrator brought the scene right before him. 5) may 13 Ver. 12. The spirits of the slain. be rendered spirit (or, collectively, spirits) as denoting the go ing out of the breath or life, or the soul, as DELITZSCH renders ψυχὴ δ' ἐκ ῥεθέων πταμένη Αϊδόσδε βεβήκει. 14 Ver. 12. Dire enormity. The first feeling in the study of this passage is, that the reading hen, prayer, T.: which the Syriac followed is the right one. It has led UMBALIT and CONANT, with other excellent commentators, so to render it: “God heeds not the prayer." There comes to mind, however, that rule of criticism, sound in the main, that the more rare form is to be preferred, on the rational ground that a change to it from the apparently easier is less likely than the contrary course. The view is strengthened, too, when we look carefully at the idea conveyed by the other form, though at first it seems strange. It is an unusual word, and its etymological sense, without salt, ineptum, (see this form Job i. 22; Jer. xxiii. 13; and another from the same root Job vi. 6; Lam. ii. 14) strikes us as poor, and unsuitable to so vivid and impressive a context. From this primary sense, however, of insulsitas, unsaltedness, insipidity, comes that of absurdity, monstrosity, whence it is applied to anything odious and abominable, that which can be reduced to no rule of consistency-abnormal, abhorrent—an ano maly, as DELITZSCH renders it. Hence the term chosen by the translator from a similar etymology, though having low T: (prayer), though D``, with the usual ellipsis, would suit either reading. The VULGATE renders, Et Deus emphatic. A new class 17 Ver. 14. At the dawn. Literally at the light, the first beginning of day-break. There is no contradiction here, as MERX maintains, of the previous description. They are called enemies of light as much in a moral as in a physical aspect. But even in the latter it is all consistent. The murderer starts at the break of day to surprise and slay the poor as he goes forth to his labor. Or the emphasis, as is most likely, is on Dp', denoting not his rising from his bed, but his sudden rising up from his ambush where he has been lying all night, waiting for his victim, whom he surprises at break of day. 18 Ver. 15. A masking veil. D has more properly the abstract sense of concealment, here put for the instrument of concealment, whether a veil or a mask. 19 Ver. 16. In covert do they keep. Literally, they seal themselves up. 1, by themselves, or giving, as sometimes does, a reflex or hithpahel sense to the verb, though in such cases some call it pleonastic-as 17 Yes, morning is as death shade to them all; 18 For (in it) they discern, each one, the terrors of the dark. He flees,-accursed his portion on the earth;— 22 The womb25 (the mother's heart) forgets him there; He comes in memory no more; And broken like a tree Injustice27 lies. 28 Again; the man who wrongs the barren, childless one, 30 The strong, too, by his might, he bears away; 1. Gen. xii. 1, 77, Amos vii. 12. This view is Ver. 17. Morning. DELITZSCH would make morning the predicate: "The depth of the night is as the dawn of the morning;" but his reasons, drawn from the position of the accents, are not satisfactory. The other idea is the more consistent one: the morning is to them the time of fear. They recognize in it the terrors of the night, or what to other men are such. A change of number again, J; but to be taken distributively: each one of them, whether murderer, adulterer, or thief. 21 Ver. 18. Light as the bubble. See the same comparison Hosea x. 7, "as the foam upon the waters," swiftly gliding away. It is the thief making his escape when the morning terrors come, as shown by its connection with the previous verse. The simplest and most literal view is the best and clearest. It removes immediately the difficulties which some find, as though Job here was contradicting himself in pointing out something unfavorable to the wicked man. For this reason it has been turned into a prayer, a wish: "light may he be, etc.," but without a single mark in the language to countenance any such idea. It is a part of his picture, even if taken as describing generally the transitoriness of the evil life, and it is at once explained by keeping ever in view the two leading ideas contained in the first verse, namely, events (times) known to God, but no visible signs of retribution coming from His hand. The wicked man's misfortunes are freely mentioned, the popular curse pursuing him, his death, and being carried off to Sheol, his fleeing and keeping out of the way of the vineyards; but these come from social and natural causes, not from any seen hand of God. It is just as the drought a retribution in off the snow waters. No more appearance of the one case than in the other. Both classes of events alike confirm his argument. 22 Ver. 18. The way of the vineyards is the open, known, cultivated country, in contrast with the fores's, or the desert. See the similar expression: the way to the city. Eccles. x. 15. 23 Ver. 19. Melting snows. This is the best expression the translator could find for, waters of snow; the watery snow; unless it refers to the streams that have be come swollen from the snows; but the sense of quick carrying off which is in would not so well suit the drying up of full streams. Compare, however, Job vi. 17. For the application of this, see remarks in note above. 24 Ver. 19. Those who. The second clause is an ex. ample of the extreme Hebrew conciseness; and yet the English nearly admits of it without sacrificing clearness: So Sheol, who have sinned-a construction barely tolerable, if we regard who as containing the object in the subject (like the relative what), just as in the Hebrew of the above the relative or object is contained in the personal pronoun existing in the form of the verb. 25 Ver. 20. The womb. Compare Isaiah xlix. 15. 20 Ver. 20. Feeds the worm. A most striking, yet mournful picture: Dead and gone; forgotten by the maternal heart; but the worm loves him-feeds sweetly on him. Comp. xxi. 33. There is no need of the sense sucks here, although it may be primary in (compare ), unless it carry the idea of sucking with relish; since the thought of pleasure or sweetness must not be lost from the compari son. T: It 27 Ver. 20. Injustice. The simple rendering of will do here, without taking it for the unjust man. would only make a repetition; whilst the idea of his injustice, too. lying prostrate like a broken uprooted tree which can no longer yield him any fruit, makes quite an addition to the picture. If anything is to be supplied, it might perhaps be rendered his unjust gain, the cause put for the effect. The tree broken off, and no longer yielding, would represent this very well. If it is a personification, it might be taken as in the Bunyan style, the name given from the leading characteristic: Injustice, there he lies, uprooted like a tree. 28 Ver. 21. The barren childless. This was esteemed a more desolate state than that of the widow, even the bereaved or childless widow. Ver. 21. No compassion. Negative phrases, like " (for "), are sometimes the most positive and severe in their significance: "Does no good to the widow." As UMBREIT and DELITZSCH render it, is very tame. Not to do good here is to be inhuman and unmerciful. It is not a mere selfish neglect. So (belial) is not unprofitableness (its etymological significance), but utter vileness, and 77 (sons of Belial), the worst of men. So in Greek and Latin. Compare the axpeios doûλos, the unprofitable servant of the gospel. In like manner, in-imicus is not merely not a friend (non amicus), but a positive enemy; im-milis, not simply not mild, but most fierce and cruel. 30 Ver, 22. Bears away. here may have the Arabic sense, very near akin to the Hebrew of seizing, holddrawing, dragging away, would suit very well. Whether this ing fast; Comp. Ps. xxviii. 3, although the common sense of is a new character that here enters into the picture, or an old one brought up again, cannot be certainly decided. It looks some as though the one described, ver. 18, as pursued by the popular curse, whether robber or tyrant, had recovered power to the dismay of his enemies and of all others. "He rises up again," and they have to escape for their lives. DELITZSCH makes God the subject of : “He (God) preservets the mighty." But there is not the least warrant for this on the face of the text, nor does he give any authority for the sense of preserving thus taken for the verb. Nowhere has any such meaning. Others, like UMBREIT, make D'EN the subject: Die Starken halten fest an ihrer Kraft. The singular verb itself is not an insuperable objection to this, although it is not easy, and no such indications appear as justify the collective use of the plural here, or the distributive use of the singular in some other verses. The context, too, is all against it. No intimation is given that the true subject of the verb here is not the same man, whoever he may be, that wronged "the childless barren,' and "showed no compassion to the widow." He it is who, after his injustice to the weak, drags down his powerful foes. The conjunction 1 would be sufficient to warrant such an inference, besides the structure of both verses pointing to a contrast as intended between these two varying classes of his victims, and thus making a completed picture. The verb ', too, seems to carry the idea of one who had once been overcome, but now rises up to a greater vengeance. DE 31 Ver. 23. God lets them rest. Literally: "He grants to them that they may be stayed in confidence." God is doubtless the subject here of ', but the verse is not to be taken as indicating either favor or disfavor. LITZSCH'S version is so made as to give the first idea: "God giveth him rest, and he is sustained, and His eyes are over In all their ways," that is, to preserve and prosper them. this the e is to be seen the influence of that idea which has perverted the interpretation of this whole chapter. It is, that Job is solely intent on describing the prosperity of the wicked. But the contrary picture so comes out, in a number of verses, that no forcing can keep it out of sight. Hence the strangely conflicting efforts at explanation; one class of commentators charging the others with holding uutenable positions, until extreme men, like MERX, settle the whole thing, to their own satisfaction, by the most arbitrary changes in the text. Generally Job is not very logical; but in this chapter, he seems never to lose sight of the two leading ideas, before mentioned, with which he sets out in its beginning: Erents are not hidden from God, and yet those who profess to know Him do not see his visible days of retribution. Both are maintained here. God lets the wicked go on in their security; but He is not favoring them in so doing. The second clause does not mean looking upon them for preservation, but simply what it says: "His eyes are on their ways;" or as it is said Prov. xv. 3: "beholding the evil and the good." The language here reminds us of that which Paul uses Acts xvii. 30; when he speaks of God as overlooking the times (Toùs μèv xрóvoνs vпеpidav, Job's word ny, ver. 1), not in the sense of not seeing, or winking at as our translation gives it, but of looking over, or beyond, to the great day when all shall be right; just as the German verb übersehen and our overlook may have both senses according to the context, or to the division of its parts. In interpreting this chapter, the memorable passage xxi. 30, though controverted, is not to be lost sight of. Neither are we to regard Job as denying a thing so undeniable, whether regarded in the light of history or of revelation, as the fact of there being sometimes visible divine retributions upon earth, striking, though rare. But it was this view of their nonvisibility, or of their comparative rarity, that was here to be urged against extremely one-sided opponents, and every pious interruption of that argument would have been out of place. 32 Ver. 24. Like all. The force of, “like all,” goes through the clause. CHAPTER XXV. 1 2 Then answered Bildad the Shuhite, and said: To Him' belongs dominion-yea,' and fear. 1 Ver. 2. To Him. Bildad would overwhelm the impenitent Job with a display of God's power and mighty work. He does this in a very grand style. As abstract truth, or regarded as something said about God (see remarks on the interpretation of, xlii. 7, INT. THEISM, pa. 85), it is better than Job's passionate expostulation; but the Latter, it may be said. is nearer to the great mystery which the untried Bildad has little feeling of, much as he thinks he understands it in theory. RENAN says here: "Bildad, desesperant de vaincre l'impiété obstinée de Job, et pour montrer combien sa prétention d'arriver jusqu au trône de Dieu est insensée, cesse de le prendre à partie et se borne à exalter d'une manière générale la puissance divine." God's throne. Such a view is suggested by 9, a stronger word than, religious fear. This denotes dread, terror; and, as thus making a climax, seems like something added to the idea. "With Him is dominion," etc. It reminds us of the doxology to the Lord's Prayer: Thine is the kingdom, the glory." שָׁלוֹם .Heb 3 Ver. 2. The harmony. 7, peace, pax, pactum, as though referring to personal beings. Here, however, as spoken of the heavenly bodies, God's hosts or armies, it must mean a physical harmony-something like "the music of the spheres," or rather the higher thought of beauty and order out of which that Pythagorean conception arose. See Ps. xix. 5: "Their line (their vibrating musical string) hath gone out to the ends of the world." VULGATE: Concor diam in sublimibus suis. It is that idea of law as holding to 2 Ver. 2. Yea, and fear. The conjunction seems to have the force of the double et in Latin-both fear and dominion-or, dominion and fear, too, as though he meant to ter-gether the universe which all devout minds had long before rify the daring Job who talks (xxiii. 3) of coming even to Newton, although it was unknown in its mathematical |