Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 106
... seeks to cleanse himself of Charlotte's smell , leaving Maggie alone in the darkness as the scene fades to black . The entire sequence seeks to render the novel's interior states as being visible ; viewers contemplate Maggie as she ...
... seeks to cleanse himself of Charlotte's smell , leaving Maggie alone in the darkness as the scene fades to black . The entire sequence seeks to render the novel's interior states as being visible ; viewers contemplate Maggie as she ...
Strona 128
... seek to focus attention on women in contemporary Western societies . This strategy is nothing new - as we saw earlier on ... seeks to play an active part in forging an advantageous union for herself , while gently exposing the gender ...
... seek to focus attention on women in contemporary Western societies . This strategy is nothing new - as we saw earlier on ... seeks to play an active part in forging an advantageous union for herself , while gently exposing the gender ...
Strona 162
... seeks to remain " perfectly free . ” 28 Like- wise , Campion's version ends with Isabel rejecting order and unity ; we do not know whether she will open the door and return to her past life or stay outside and fend for herself . But ...
... seeks to remain " perfectly free . ” 28 Like- wise , Campion's version ends with Isabel rejecting order and unity ; we do not know whether she will open the door and return to her past life or stay outside and fend for herself . But ...
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Chapter 2 | 30 |
Chapter 3 | 56 |
The Nightcomers 1971 | 67 |
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