Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 34
... filmgoers of 1940s and 1950s clearly identi- fied with her ; one woman recalled how she admired anyone who ... filmgoers ' interest ) , the film failed at the box office . Perhaps the subject matter was too sophisticated for audiences ...
... filmgoers of 1940s and 1950s clearly identi- fied with her ; one woman recalled how she admired anyone who ... filmgoers ' interest ) , the film failed at the box office . Perhaps the subject matter was too sophisticated for audiences ...
Strona 45
... film's opening at the Radio City Music Hall in 1949 , which employed words associated with wealth ( riches , jewelry ) to describe the experience of watching the film . Paramount organized several tie - in campaigns — one invited filmgoers ...
... film's opening at the Radio City Music Hall in 1949 , which employed words associated with wealth ( riches , jewelry ) to describe the experience of watching the film . Paramount organized several tie - in campaigns — one invited filmgoers ...
Strona 217
... filmgoers in different contexts . What might prove interesting to British or European filmgoers might not be so for their American counterparts . In late 1990s Hollywood , the distinction between mainstream and independent cinema ...
... filmgoers in different contexts . What might prove interesting to British or European filmgoers might not be so for their American counterparts . In late 1990s Hollywood , the distinction between mainstream and independent cinema ...
Spis treści
Chapter 2 | 30 |
Chapter 3 | 56 |
The Nightcomers 1971 | 67 |
Prawa autorskie | |
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