Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 109
... close - up of Charlotte playing the piano . The camera tracks backward once again to a medium shot of the prince , Maggie , and Adam Verver ( Barry Morse ) , who are listening to her recital . Two medium close - ups of Maggie's face ...
... close - up of Charlotte playing the piano . The camera tracks backward once again to a medium shot of the prince , Maggie , and Adam Verver ( Barry Morse ) , who are listening to her recital . Two medium close - ups of Maggie's face ...
Strona 145
... up . " 13 It would seem that Flora in Clifford's film is an innocent little ... close - ups of Miles's and Flora's delighted expressions with a reaction ... up at the govern- ess standing triumphantly with her arms around Flora . Quint's ...
... up . " 13 It would seem that Flora in Clifford's film is an innocent little ... close - ups of Miles's and Flora's delighted expressions with a reaction ... up at the govern- ess standing triumphantly with her arms around Flora . Quint's ...
Strona 174
... close - up with Osmond's voice intoning " I'm absolutely in love with you " on the sound- track ) . Softley uses it to suggest Milly's serenity as she listens to Merton intently in support of her claim - made the night before - that she ...
... close - up with Osmond's voice intoning " I'm absolutely in love with you " on the sound- track ) . Softley uses it to suggest Milly's serenity as she listens to Merton intently in support of her claim - made the night before - that she ...
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Chapter 2 | 30 |
Chapter 3 | 56 |
The Nightcomers 1971 | 67 |
Prawa autorskie | |
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