Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 110
... Isabel will not give him access to her “ rare mind . ” 31 On another occasion , Lord Warburton admits that he cannot make out what Isabel is " up to , " and suggests that her mind is “ a most formidable instrument " that " looks down on ...
... Isabel will not give him access to her “ rare mind . ” 31 On another occasion , Lord Warburton admits that he cannot make out what Isabel is " up to , " and suggests that her mind is “ a most formidable instrument " that " looks down on ...
Strona 162
... Isabel negotiating a contradictory position between these two poles : She is passive yet active , humiliated yet fulfilled.26 In the film's final sequence , Isabel is shown running back to Gardencourt ; we watch her dark skirts flash ...
... Isabel negotiating a contradictory position between these two poles : She is passive yet active , humiliated yet fulfilled.26 In the film's final sequence , Isabel is shown running back to Gardencourt ; we watch her dark skirts flash ...
Strona 164
... Isabel's imagined free- dom " ; something he perceives as characteristic of a film that " yields to the simplifications of an overriding agenda . " 32 The truth of this observation depends very much on what is meant by Isabel's ...
... Isabel's imagined free- dom " ; something he perceives as characteristic of a film that " yields to the simplifications of an overriding agenda . " 32 The truth of this observation depends very much on what is meant by Isabel's ...
Spis treści
Chapter 2 | 30 |
Chapter 3 | 56 |
The Nightcomers 1971 | 67 |
Prawa autorskie | |
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