Picturing Place: Photography and the Geographical Imagination

Przednia okładka
Joan Schwartz, James Ryan
I.B.Tauris, 19 kwi 2003 - 354
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The advent of photography opened new worlds to 19th-century viewers, who became able to visualize themselves, their immediate surroundings, their communities, and the world beyond. The geographical imagination—the ability to know the world and situate oneself in space and time—fostered the expectations and applications of photographic technologies, and photographic technologies expresses the form and reach of the geographical imagination. This dialectic is the basis of this collection of intriguing essays, which explore the diverse ways in which the relationship manifested.
 

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Spis treści

Architectural Photography Collective
21
France 1851
23
France 1851
49
Intertextuality and Imaginative
55
the Hotel Europa Rome 11 November 1856
58
Photographic Constructions of the Grand Canyon
74
Arizona 187174
77
Family Photograph Albums and the Domestication
96
River near Knysna from SARH Magazine 1924
151
from Canadian Geographical Magazine 1931
175
Photographic Practices and Productions
195
Maxime Du Camp Cour des Bubastites et entrée principale de la sale hypostyle
203
Photographic Surveys by the Royal
226
Photographs of British Families in the Lucknow
243
Some Photographic Incidents in the Western
261
Picturing Place in the Post
283

Landscape Photography and National Identity
117
Tour Among the Abbeys of Morkshire 1852
128
JENS JAGER
141
Notes
305
Index
347
Prawa autorskie

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Informacje o autorze (2003)

Joan Schwartz is Senior Photography Specialist at the National Archives of Canada.

James Ryan is Lecturer in Human Geography in the School of Geography, Queen's University, Belfast.

Informacje bibliograficzne