The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... trombones ) . Analysis of the brass writing reveals the reason for this particular instrumentation . While the horns ... trombones almost always double the voices . Four players were necessary to provide equal support for all choral ...
... trombones function in essentially the same way ; that is , they double the four voice parts . However , in Laßt Jubeltöne the trombones are only part of the accompanying forces . That work req- uires a full brass ensemble , including ...
... trombones double the rest of the choir . Ecce sacerdos magnus , a work of almost barbaric intensity , is church music at its most dramatic . In Bruckner's output , it stands stylistically ( but not chronologi- cally ) between his music ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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