The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... third relationships is much in evidence . The first two phrases cadence on an E major chord , the third reestablishes the tonic , C major , then subsequent phrases explore A minor , F major , and D minor . The concluding section of the ...
... third in the underlying brass chord . The third , and the complete dominant seventh sonority , finally arrive when the voices resolve the E - flat to D. Such harmonic procedures are characteristic of this work . On - the - beat ...
... third - related chords . Example 2.17 : Cantata : Auf Brüder ! ... Hand ! —Mvt . 2 - bars 23-27 Em GV7 C Em Fr.6 DM ... third movement . Since the fanfare modulates to D major , it prepares the final movement in both style and key . Not ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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