The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... style . The words , " Our father , whom we love , " obviously precipitated these changes , and the choir is accompanied by the woodwinds , which double choral lines and add a pulsating pedal point to energize the rhythm . The major mode ...
... style of a horn call . These figures are no doubt intended to represent the cries of Solgofnir , the golden cockerel , as he rouses the Gods at dawn . Example 4.17 : Germanenzug , Mvt . 2 , bars 12–14 Sol- gof- nir ruft den gold ' nen ...
... style and a distinctly modern wind accompaniment to the forceful , even dramatic , choral passages are blended into such a degree of homogeneity that the Mass can claim to be the most essentially ecclesiastical example of its kind . It ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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