The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... simple in concept , is " The English conductor Matthew Best performed and recorded Psalm 114 ( 116 ) with the Corydon Singers and the English Chamber Orchestra in 1987 ( Hyperion CD - CDA66245 ) . For his purposes Maestro Best edited ...
... simple repetition or sequence . All of the above suggest that this piece was written quickly with little time for creative preparation or revision . The work consists of two movement types . Choruses using the entire ensemble alternate ...
... simple supporting harmony that adds to the subtlety of the effect . Recalling the end of the first Kyrie at the close of the second provides the movement as a whole with a wonderful sense of formal balance that is rarely heard in the ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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