The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... revised the work for performance at the nameday celebration of Friedrich Mayr , Arneth's successor as Prelate of St ... revisions it precipitated will be discussed in the next chapter . A third text , Heil dir zum schönen Erstlingsfeste ...
... revisions to the harmonic structure occur . Most of these clarify the harmony at transitions , but others ... revised versions . However , in his efforts to create a more seamless composition , Bruckner smoothed out the edges ...
... revised his symphonies themselves . Many of the first published editions of the symphonies contained their revisions , which were not always sanctioned by Bruckner , and certainly were not representative of his intentions . Perhaps the ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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