The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... repeated as movements four and five . This repeat was elim- inated from the second version , and the last half of movement two was re- composed . These new bars stand in stark contrast to the rest of this composition and require ...
... repeated . In fact , most of the words that directly mention warriors and battles are set in unison , perhaps a reference to the ancient tradition of singing battle and marching songs in unison . Most of the verse is sparingly ...
Keith Kinder. strains , both repeated , a trio with two repeated sections , and a da capo . Both the march and the trio are in rounded binary form , which adds an unusual degree of structural precision . Also , in accordance with the ...
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THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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