The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
Z wnętrza książki
Wyniki 1 - 3 z 24
... recalls the beginning of verse three and reflects Bruckner's confidence that God will hear him and respond . Verse five , where the music of the initial verses is recalled , would seem to affirm that that confidence was justified that ...
... recalls the opening of the movement , but becomes more contrapuntal very quickly , leading to an extensive canonic ... recall the Christe as well . Also like the Christe , the polyphonic texture is gradually simplified as the music ...
... recalls the beginning of the Gloria of this Mass , an example of self - referential tone - painting and an expert stroke of musical integration . This recalling of previous material also has symbolic meaning . Setting the " Judicare ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
Nie pokazano 5 innych sekcji