The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... primary motive , stated at the beginning of each verse by the soloist alone , is related to preceding melodic ideas through its dotted rhythm , but is also a development of the main theme of Mendelssohn's Symphony No. 2. A reference to ...
... primary theme in the secondary key . The development introduces a number of interesting ideas . The choral textures are consistently antiphonal or responsive , generating complex harmonies , some of which are related by thirds ...
... primary thematic group . Perhaps he felt that these bars would not sound well on brass instruments , or that they were inappropriate musically , considering that his arrangement would include only the final part of the movement . In ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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