The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... present a single line in octaves that consists of scales or arpeggios extracted from the underlying harmony . The eighth - note figuration adds substantial rhythmic momentum to the texture , and is reminiscent of similar structures in ...
... present a distinctive rhythmic figure that is based on the speech rhythm of the text and is designed to capture immediately the attention of all listeners . Near derivations of this figure recur in virtually all loud sections of the ...
... present to Him the score of my Te Deum , and He will judge me mercifully " ( Watson 1977 , 49 ) . From the perspective of wind research , Bruckner's funeral holds two points of interest . As discussed in chapter 4 , the composer ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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