The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... passage at the words " Oak trees ... circle , " is not imitative . The accompanimental texture is thickened at the conclusion of the verse to create a climax . The first verse contains one stunning example of tone painting and one passage ...
... passage that depicted Solgofnir's wake - up calls so effectively in verse one is attached to " O , it is love that drives us " in this verse . The fanfare - like style of this passage is difficult to reconcile with the textual phrase ...
... passage is , however , similar to the brass fanfares that conclude the first movement of Symphony No. 9 - music with which the composer was actively involved in the spring of 1892. It is also clearly related to the " Death Announcement ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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