The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... original , intended for the 1852 performance . This text is quoted in its entirety below . In 1857 Bruckner revised the work for performance at the nameday celebration of Friedrich Mayr , Arneth's successor as Prelate of St. Florian ...
... original ( 1866 ) score , published in the Collected Works , Nowak included a chart that details the differences between the two versions . The final version , which Nowak considers representative of Bruckner's ultimate thoughts on this ...
... original , it ends in the major mode , but is enharmonically changed from C - sharp to D - flat major . At Bruckner's funeral in the Karlskirche , Löwe's arrangement was performed by the brass players of the Hofopernorchester under ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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