The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... movement provide delightful harmonic surprises . Also , throughout the movement he frequently uses the horns to echo the cadences of a capella choral passages . Such writing provides pleasing timbral variety and will be encountered ...
... movements two and three . Linking these movements in performance would provide a significantly stronger realization of the text . This surprising progression is complimented throughout the movement by a considerable amount of chromatic ...
... movements . The first movement cadences on the dominant — A major . In the final bar all of the per- formers , except the four horns , release after two beats . The horns continue to sustain the A major chord under a fermata . While the ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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