The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... moved : When Thou shall come to judge the world by fire . I quake with fear and I tremble , awaiting the day of account and the wrath to come . When the heavens and the earth shall be moved . That day , the day of anger , of calamity ...
... move to Linz as cathe- dral organist . Since Dürrnberger was involved with choral music in Linz , the request from the Liedertafel " Frohsinn " may well have originated with him . Bruckner scored the work for male voices accompanied by ...
... move- ment . This type of antiphony is another reflection of sixteenth - century procedures , especially those of the Venetian school ( Göllerich / Auer 1974 , III / 1 : 374 ) . The last few bars of the initial Kyrie have substantial ...
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THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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