The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
Z wnętrza książki
Wyniki 1 - 3 z 45
... melody in Aequali No. I is virtually always doubled in parallel sixths or thirds between alto and tenor trombone . This degree of emphasis on melody draws the listener to the linear quality of this music . In Aequali No. 2 the melody is ...
... melody from the first bars of the movement . The male voice counterpoint to this melody is directly derived from it . The woodwind obbligato is an ornamented version of that which appeared at the beginning of the Agnus . This opening ...
... melody with these words is easily understood . However , he also carefully integrated his melody into the composition as a whole . Soprano , alto , and bass lines at the climactic bars of the " in plebem suam " ( see Example 6.14 ) ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
Nie pokazano 5 innych sekcji