The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... male choir , male quartet , two oboes , two bassoons , three horns , two trumpets , and three trombones - the largest ensemble employed in a wind work to this point in the composer's career . Bruckner's utilization of these varied ...
... male chorus and four trombones , is unique in Bruckner's output . Except for a lost Requiem from 1845 , no other liturgical com- position employs male chorus . The use of four trombones recalls an earlier work , Laßt Jubeltöne laut ...
... male voices , or whatever three voices are lowest in range at any particular time . However , Bruckner also occasionally extracts lines from the choral textures to create trombone parts that differ from any specific choral line . By ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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