The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
Z wnętrza książki
Wyniki 1 - 3 z 43
... later it was slightly adapted to accommodate a new text , Dir holde Heimat ... , but this second version was not performed until after Bruckner's death , 18 The Liedertafeln were male singing societies . The prototype was founded by ...
... later became associates but were never actually Bruckner's pupils ( Redlich 1955 , 114-17 ) . Other notable students were the Schalk brothers , Franz and Joseph , and Ferdinand Löwe . These three men became ardent admirers and , for ...
... later that afternoon ( Watson 1977 , 48 ) . His funeral was held three days later , on October 14 , 1896 , in Vienna's great Baroque church , the Karlskirche ( Redlich 1955 , 25 ) . The church was packed to capacity , and several of the ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
Nie pokazano 5 innych sekcji