The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... final words ( " and my feet from falling " ) are set as a two - voice canon over a dominant pedal . These measures provide an effective bridge to the final verse , which consists of a large - scale fugue in the tonic ( G major ) . The ...
... final couplet of the stanza , and Bruckner has again projected the battle image with unison writing . The full ensemble ( voices and horns ) join in a melodic fragment based on an E- phrygian scale that ultimately breaks into harmony at ...
... final weeks of his life , he was able to work for only short periods of time , and his associates reported depression and hints of religious mania ( Redlich 1955 , 25 ) . Throughout his struggles with ill health , he remained determined ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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