The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... extended the cadence without altering the harmonic structure . In the 1852 version movements two and three were repeated as movements four and five . This repeat was elim- inated from the second version , and the last half of movement ...
... extended to comprise four phrases , each of which is designed to illu- minate successive images in the text ( Simpson 1946 , 32 ) . The music expressing " Et in terra pax ... " and " adoramus te " is quiet and texturally simple , while ...
... extended from one to two bars , affording a smoother flow from section to section . In the Benedictus Bruckner added sustained chords in the trombones that bridge the gap between phrases and guide the pitch of the choir . In this ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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