The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... Especially in the two unaccompanied quartets , " Bruck- ner's chord and key choices are often surprising and indicate that he was devel- oping much more confidence in his unorthodox harmonic ideas . He was finally ready to hear Wagner's ...
... especially since the two large sacred works that frame it chronologically , the Masses in D minor and F minor , are so flamboyantly Romantic . Of the three great masses , the Mass in E Minor is the most obviously liturgical in concept ...
... especially those of the Venetian school ( Göllerich / Auer 1974 , III / 1 : 374 ) . The last few bars of the initial Kyrie have substantial structural implications . A two - voice canon appears , which employs a subject that is closely ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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