The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... contrasts of harmony and texture . Verse one is harmonically straightforward , adhering almost exclusively to ... contrast is sharpened by unaccompanied choral writing during the homophonic segments , and the imitative passages ...
... contrast to the rest of this composition and require additional comment . It would appear that Bruckner revisited them because of the change of text . In the 1852 version , the words " they were well sheltered " are set to a four - bar ...
... contrast . Throughout the movement the similarity of motives from section to section allows the music to flow smoothly across structural divisions , but , since these motives are not identical , they generate a sense of evolution as ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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