The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... consists of a chorale with two timbrally contrasted statements of the same verse . The initial statement is scored for solo male quartet , while the second incorporates the full chorus plus an accompanying melodic strand , first in two ...
... consists of two new musical ideas . This new music was precipitated by the words , which address Mary and the Immaculate Conception for the first time . Both of these themes , central to the concept and purpose of this work , are ...
... consisting of : two soprano cornets in E - flat and B - flat , tenorhorn , four horns , four trumpets , three ... consists of two verses that begin in identical fashion but end in significantly different ways . Another important ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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