The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
Z wnętrza książki
Wyniki 1 - 3 z 9
... considered to be Psalm 116 in the Revised Standard ( Protestant ) Version of the Bible and in Hebrew texts . This numbering system has achieved broad acceptance among liturgical writers . However , the Vulgate num- eration , which would ...
... considered adding organ to the score , none of the manuscripts contain a part for this instrument ( Redlich 1955 , 74 ) . An arrangement in which the organ replaced the wind instruments was prepared by Vincenz Goller , and was published ...
... considered the prototype for either of these later pieces . Both had already been written by the time the work received its premiere on March 18 , 1911 ( Grasberger 1977 , 63 ) , performed by the Vienna Männergesang - Verein under ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
Nie pokazano 5 innych sekcji