The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... composer's skills had developed in just a few years . While the Windhaager Mass was conceived in a resolutely homophonic style , the few extant bars of the G minor mass show that the composer's abilities now per- mitted him to think ...
... composer of symphonic music - a genre that would preoc- cupy him for the rest of his life and would include his most significant contribu- tions to the musical literature . From the point of view of this study , these years are also ...
... composer's lifetime ) , also began to be heard on a regular basis ( Schönzeler 1970 , 127 , 130 ) . Even in Vienna ... composer's most important contemporaries , Hugo Wolf and Johannes Brahms , were not present.2 Wolf was turned away at ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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